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Viewing 15 posts - 16 through 30 (of 85 total)
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  • in reply to: What do you do to get people to dance? #7648
    Michael M. Hughes
    Participant

    Since I’m currently writing my book about how to DJ weddings, I just thought I’d jump in here to point out that weddings are excellent training for how to deal with this issue. Most weddings have built-in dance cues—for instance, often a couple will have their first dance, and minute or two into the dance I invite the bridal party onto the dance floor, then a little later I ask all the guests to join in. So you have a fully packed dance floor, and you can throw on a guaranteed no-fail tune (e.g., Billie Jean or the like) and immediately you have the energy to keep everyone going.

    in reply to: Article about the rise of EDM in America #7646
    Michael M. Hughes
    Participant

    Good points, Mr. John. My guess is that there will be the inevitable backlash to EDM’s success, but I’m not sure the trend has peaked yet. The big festivals are still raking in the cash and growing and spreading the popularity. The hardcore styles will always remain niches, and I agree that dubstep will peak and fade, but there’s always room for fresh sounds and new styles over a 4/4 beat, no matter what genre it falls under.

    And good analogy to rock bands. I know guys in bands who are really having a difficult time—I’d hate to see that happen to DJs. But like any other art, Sturgeon’s law applies—90% is crap. So the 10% who really know how to DJ well should always be able to find paying gigs. At least I hope so. And overhead for DJs is nothing compared to a touring band, which is part of the reason the music labels are jumping on the DJ bandwagon.

    in reply to: What are some good warm-up songs? #7637
    Michael M. Hughes
    Participant

    Tunes from Thievery Corporation (downtempo) usually wind up in my warmup set.

    in reply to: A Question That Doesn't Fit Anywehere Else (I Think). #7636
    Michael M. Hughes
    Participant

    Newportdj Drew, post: 7617 wrote: Just for fun start with this…… this is the main site but you can download rebirth and its many mods for free these days. Then get yaself a midi compatible synth hook it up to your PC and download the trial version of ‘reason’. http://www.rebirthmuseum.com/

    It’s an iPad app now, too. I bought it back in the day and was overwhelmed by the complexity, but I have a lot of fun with the iPad app now, just playing around.

    in reply to: Article about the rise of EDM in America #7635
    Michael M. Hughes
    Participant

    I was just going to post this and saw EEngenious already had.

    My thoughts are mixed. I first heard EDM in illegal warehouse parties and I’ll always be more drawn to underground beats than really poppy stuff, but I’m happy to see the masses finally “getting it.” And I’m happy that DJs are making piles of cash, because maybe that means I’ll get a few more paying gigs riding in their draft. More people liking my music = more people likely to come hear my play.

    Of course this article just fuels the never-ending loop of success-is-sellout vs. underground-keeps-it-real arguments. See the comments below the article if you don’t know what I mean.

    in reply to: What do you do to get people to dance? #1001710
    Michael M. Hughes
    Participant

    I would never exhort people to dance. Because for one thing, I can’t imagine doing it and have never had to. Secondly, if you do exhort people to dance, and they just sit and stare at you, you look like an utter dork. If the music isn’t doing the trick, either a) you picked the wrong music, or b) they just aren’t into dancing. Either way, just enjoy yourself and do your best to at least make them happy while they’re sitting. You can’t always get people to dance, for the reasons I pointed out above, and you shouldn’t make a fool of yourself trying to do it.

    in reply to: Traktor 2.0.3 Nice upgrade but… #7459
    Michael M. Hughes
    Participant

    Has anyone tried it on a Mac yet? As much as I’d love to upgrade, I don’t think I have the cojones to do it a night before my gig….

    Michael M. Hughes
    Participant

    DJ Hessler, post: 7411 wrote: ?? When is it not optimal to beatmatch manually??:confused:

    Answer: Whenever it’s easier to hit sync with properly gridded tunes that you know very well. I manually beatmatch when, like D-Jam indicated, there’s a bad blend or I screw something up. I do it when I need to.

    Hessler, you’re right on when you point out that simply beatmatching all night can be boredom inducing—for the DJ and crowd. I like to throw in some dramatic shifts, with major changes in BPM, and you can’t beatmatch from 130 to 100, or at least you can’t do it without sounding like crap.

    Which reminds me, I’ve been thinking about starting a thread on transitions, since beatmatching is something that can be somewhat automated (via sync) but you can’t go from psytrance to dubstep by pressing a button. I think a lot of peeps, including myself, would enjoy hearing tips and tricks.

    in reply to: Last Night's Gig!!! #7374
    Michael M. Hughes
    Participant

    It’s nice that she wanted to share the embroidery on her jeans pockets with you. You must have played well.

    Michael M. Hughes
    Participant

    Then I’m happy to be a buttonpusher who makes people dance and gets paid well to do it. If anyone laughs at me, I’ll laugh right back 🙂

    Michael M. Hughes
    Participant

    I’m admittedly a not-so-great beatmatcher. It’s something I’ve always struggled with. Before the advent of the sync button, I did lots of drops and only beatmatched tunes with a very similar structure. I LOVE the sync button. I would marry it if I wasn’t already married, and have children with it if it was physically possible. With properly gridded music and sync, I can do much more than I used to and focus on other important aspects of playing. I am a better DJ because of it, which is one way of saying my music and mixes sound immensely better and are more successful.

    So yes, keep practicing. It’s a great skill to have. I wish I was better, and I still occasionally work on it. But the sync button is your friend, too—don’t discount it as the lazy person’s way of avoiding manual beatmatching.

    in reply to: What do you do to get people to dance? #7332
    Michael M. Hughes
    Participant

    Yep, sometimes you have a dud crowd. Do your best anyway and always look like you’re having fun, because crowds can pick up on your unease. Ultimately, you’re getting paid, you’re playing good music (I hope), and that’s really your part of the bargain—if no one dances, that’s *their* problem. And if MJ’s “Don’t Stop Til You Get Enough” doesn’t pull a few souls out of their chairs, just hunker down and view it as a learning experience.

    I’ve been surprised on a few occasions when I’ve played for dud crowds and people came up to me afterwards to tell me how much they enjoyed the music. Just because the dance floor isn’t full doesn’t mean you’re not doing a good job. Some crowds, especially corporate groups, might be uptight people who don’t get along with each other and hate their jobs and view the event as forced socializing. Can’t blame them for not wanting to boogie.

    in reply to: How Do You 'Actually' Feel When Your Work Is Criticised ? #7331
    Michael M. Hughes
    Participant

    It’s many venues or situations it’s okay to intentionally thin the herd on the dance floor once in a while. If you want to severely shift gears or let your overheated people have a bit of a break, throw on something that you really want to play but aren’t sure how well it will be received. If it’s successful, great, now you know it’s a viable track. If a bunch of people slough off, no big deal—let people get a drink, have a smoke, and reset. Bring them back with something you know will win.

    in reply to: Reloop mixage ie #7176
    Michael M. Hughes
    Participant

    Phil Morse, post: 7167 wrote: Have you tried editing the mapping?

    I haven’t. Is that the kind of thing that can be tweaked? If so, I’ll have to look into it. I’m not much of a scratcher, but there are times I’d like to be able to throw a baby scratch or two in.

    in reply to: How Do You 'Actually' Feel When Your Work Is Criticised ? #7170
    Michael M. Hughes
    Participant

    I hate criticism, even when I know I deserve it. I do accept it when it’s legitimate and try to use it constructively to improve myself and my skills. But I never like it.

    However, “This music sucks, can you play something good?” makes me want to pull out an Uzi.

    It’s important to remember that critics, especially those that approach a DJ during a set to complain, are often whiny nimrods and deserve nothing more than a forced smile and a “Hey, sure, let me see what I can do,” while in your head you are plotting their untimely demise. If the dance floor is happy, that’s all the feedback you need.

Viewing 15 posts - 16 through 30 (of 85 total)