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Viewing 15 posts - 31 through 45 (of 69 total)
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  • in reply to: New Electro House Mix – DJ Grief [Feedback] #18169
    2SHAE!
    Participant

    Cool mix. you’ve really nailed the effects on your controller well. Critique-wise, one thing you should work on is the timing of beatmatching transitions in relevance to song structure. I find it important (especially in house music) to beat match for 8, 16, or 32 bars depending on the structure of the specific song. In my experience, commercial house music typically runs in intervals of 16 bars (64 beats), so dropping 1-beat of the incoming track on the 1-beat of the track your fading out of, will produce a better timed beatmatch. By the way how did you upload a video to youtube thats more then 15 minutes long?

    in reply to: your most embarrasing dj story #18114
    2SHAE!
    Participant

    2 weeks ago I playin a gig at a local bar. I was late setting up, so I couldn’t prepare everything I typically would for a set. Apparently I forgot to turn on the setting “lock playing decks”. For those that dont know, this feature prevents you from accidentally dropping a new song on the deck that music is currently playing out of. So thats exactly what happened. Since I wasnt expecting this, I thought, in my mind “ohhh %$#@!!! Why did the music suddenly change”. But the funny thing about the “transition”, is that people actually liked the sudden drop that happened. Luckily the new song dropped right on the 1-beat and people thought i did it on purpose, so i played it off like I did, and laughed it off. The only person that noticed I made the mistake was one of my friends, who also DJs. I went up to him and jokingly said “wasnt that a great transition!”. He then called me out on it, because he knew exactly what happened lol.

    by the way….great video. I think someone pre-edited this track and probably renamed it “Rihanna: We found love” in the DJs library. that way, when he was printing his CDs, he figured it would be the original version.

    in reply to: What else do you do for a living? #18112
    2SHAE!
    Participant

    BigChipsHI, post: 18164, member: 853 wrote: yeah man poker is literally such a grind. after 4 years of playing online it lost that fun feeling. I stopped caring about the money and wanted nothing more than to get out of my office and into the real world. and even though im working a 9-5 bulls**t job currently, im still much happier than i typically was playing poker. thinking about it I really only enjoyed my time playing poker after i got a big score from playing mtts (multi table tournaments for those not familiar). And that wasnt very often lol.

    I cant wait till I can start dj’ing semi professionally and start making money back on this hobby I really enjoy. 😀

    I cant imagine doing it for even that long. I got sick of it after 6 months, and after a while, win, lose, or draw, it became depressing. I think it would of been a better experience if I was on the ride with someone else. You would think making 10k over a summer would make anyone happy, but in a way, it wasnt worth abandoning friends, and missing most of my senior year at college. Either way, I can still play cards with friends and have a good time, but with DJing, I feel that I would have fun doing it both professionally, and part time on weekends

    in reply to: How much should you get paid to dj? #18038
    2SHAE!
    Participant

    ADHDJ, post: 18117, member: 1864 wrote: Hey congrats on the gig man, I bet you’re gonna totally kill it!!!! (that means do well) 🙂

    If you do really well and everyone enjoys it, why not have the amount of money you get paid tied to the amount of money the bar takes in?

    First i gotta say, you have the greatest DJ name of all time, cheers. And I agree with this post, as long as your getting a guarenteed base amount, no matter what the sales are. This way you can put alot of extra effort into promoting, and be getting paid for your time to do so. Your time will be worth it in the long run because the venue will get great business, and chances are, you will be getting a call back from them for a repeat performance.

    in reply to: Does it piss you off when a "DJ"… #18037
    2SHAE!
    Participant

    As for underage kids, Im 23, and have quite a variety of friends/acquaintances so it goes older and younger directions. However we did not invite anyone directly that was underage. As for the venue, There was no bouncer or door staff so id say its 100% their fault either way. As for the email replay I sent her. Allthough it was of negative response, It was strictly professional, yet harsh, explaining the way they run their entertainment is completely unacceptable. (if you have read all the posts from me in this thread you would understand how horribly managed it is). I realize even if this place wanted me back, it wouldn’t be worth it if I had to deal with all this stuff on a weekly basis. Time to move on to another venue. Anyone have any “pitch” advise? Im considering starting a new thread about it

    in reply to: Does it piss you off when a "DJ"… #17974
    2SHAE!
    Participant

    …as for the original thread. I ended up playing at that venue on the 22nd. The night went well and we filled the place (very rare in my town for a thursday night). at the end of the night I asked the bar manager how everything went, compared to other thursdays in the past (even though I already knew that this place was typically empty on thursdays). He wasn’t give me a clear answer and kept avoiding or switching topics. Later that night, I emailed the entertainment manager, (she never showed up) thanking her for the opportunity to play there, and telling her we got a good turn up. I also mentioned getting another gig with them in future. She emailed me back 2 days later saying something like “Thanks for playing for us, im glad the night went well. I heard from the bar manager that the place got a little rowdy, and there were a few instances of underage kids trying to get in. Although our venue was filled up, due to the reasons above we wont be able to book you in the near future.”……I found it ridiculous. I didnt think that crowd control could hold me liable in anyway, since I’m just the DJ. They told me to promote the night, so I did. We filled the place, (which never happens), and everyone had a good time. So I guess this place just sucks afterall? What do you think?

    ps. After getting the email, I couldn’t hold myself back, and replied to her with quite a negative reply about how they run their business.

    in reply to: How much should you get paid to dj? #17972
    2SHAE!
    Participant

    Id say it depends on the venue. If they have everything in place, and all you need to bring is CDs or a midi controller, then 150 is good for a 4 hour set. However, if you have to supply the venue with speakers, lights, mixer/TT/Controller, and your entire mobile set up, you could fairly get 200-250. Another scenario I know alot of people use is getting a guaranteed base pay of, say, 150, and a promotional bonus depending on how the night goes. Before the event make a deal with the management saying, if ‘X’ amount of people show up, or the venue makes ‘X’ amount of sales, then you get paid an additional bonus at the end of the night. This way, if you bring in say, 40 people, and fill the venue, you can get a bonus for a good show, and good sales to the bar. However, even if no one shows up, or you trainwreck the entire night, you’re still guaranteed the original 150.

    in reply to: Hip Hop, R&B, Dance, Club, Top 40 mix #17892
    2SHAE!
    Participant

    i dont have mixed in key, or have my mp3s analyzed by key, so none of the “in key” mixes are done automatically.

    in reply to: How do you mix hip hop? #17859
    2SHAE!
    Participant

    also….I tend to do alot more cue jumping then using effects in transitions. alot of hip hop has no intro that you can easily beatmatch the outro of the song on the opposite deck. jumping cue points works well for hip hop mixing, you just have to know your music down to the smallest details (bar/beat counts, EQ qualities etc)

    in reply to: How do you mix hip hop? #17841
    2SHAE!
    Participant

    Im kind of in the same situation as you. Ideally i spin mostly house tracks at steady BPMs of 125-130 so mixing is generally easily. For hip hop I generally start with slower tempos and build up through the night. If your going for beat matching, and your stuck between a 80 and a 128bpm track, try to find a version of the song with a built in transition. I made a basic hip hop/dance mix tonight without built in transitions, but I feel it would of been much easier with some of them. Check it out, maybe itll give you some mixing/song ideas for your upcoming set.

    http://www.mixcrate.com/mix/137193/2SHAE-Club-Sessions-Volume-1

    in reply to: What's your #1 tip for using iTunes? #1003416
    2SHAE!
    Participant

    I keep mine organized by month. since alot of music i download are also classic tracks, all the new tunes i download in the current month are not forgotten by putting them into current month playlists. through most of the month i will only listen to the songs in the current months playlist, for both enjoyment, as well as learning them. By months end im typically ready to separate the tunes into both DJ playlists, or my Unqualified list (songs that wouldnt go so well with what ever crowd your dealing with).

    in reply to: numark ns6.. what do you think #16968
    2SHAE!
    Participant

    VinnyBlanc, post: 17046, member: 737 wrote:

    I do wish there was a dedicated hardware filter knob on each channel though…

    I completely agree with this. Its the only thing that disappointed me about the NS6 but once i got used to the faders it wasnt to bad. I really like the controller overall

    in reply to: Song Transitions #16919
    2SHAE!
    Participant

    That is also true. (This is a top-40 venue remember) By playing more variety of music early, I can find out when building up the set, whether I should be playing more of, say…

    Rap-style hip hop (Notorious BIG/Jay-Z),
    Club-hop (Flo-Rida/Pitbull),
    Pop (Katy Perry/Nicki Minaj….weak lol)
    etc.

    Typically Id play ALL the chart toppers at peak hour (1 1/2 hour before closing), no matter how they reacted to these early tunes, simply because I’m confident the majority of the venue goers would perfer to hear these. After doing this, Im confident ill have a full floor, and at this point (45 minutes before closing), I can get away with playing newer music that has yet to reach the charts, and some of my own personal style (Prog house/Electro/Mashups), and of course ending the night with a smasher.

    in reply to: Song Transitions #16917
    2SHAE!
    Participant

    When I spin at a venue that attracts a top 40/hip hop crowd, I tend to do alot of fast mixing at the start of the night.
    The tunes Im usually playing in the intro stage are mostly classic top-40 style songs from a few years back so I tend to do alot of quick transitions because I like to give a wide variety of music in the beginning. I like giving people the “Wow! I used to love this song back in the day” feeling when building up. I also tend to quick-mix these because I feel it is unnecessary to play the whole song to give people that feeling. Since its mostly hip-hop/R&B, I dont feel like it kills the energy making quick transitions, because unlike EDM genres, there are not energetic build ups and drops in the tracks. I try to put myself in the perspective of the crowd when making these transitions, and I think when playing alot of classics in the intro stage of a set, playing each and every song from start to finish is a waste of valuable real estate in the night to play newer music and current chart toppers. When Im at the peak of my set, I usually play the current hits from start to finish as these tunes are more fresh in the minds of the venue goers. I guess it all depends on feeling your crowd, since they are the most important thing to please.

    in reply to: What else do you do for a living? #16777
    2SHAE!
    Participant

    BigChipsHI, post: 10450, member: 853 wrote: .

    My story was that I used to be a professional poker player for a solid four years, and at the time I was living the dream. I worked from home, made my own schedule, took a ton of vacations, traveled, was my own boss, challenged myself, supported myself, and made great money doing it. Alot more than I ever could have imagined with only a HS degree, being a prior restaurant employee, and making more money than friends and family members working their tails off.

    I thought I had it made and would do that for the rest of my life. Just cruising along, living the good life. But long story short… I was young and naive. I got tired and bored with it which eventually lead me into “early retirement.” Eventually I ended up moving back home and having to get a real job.

    Needless to say I hate it 😮

    Just looking and keeping my eyes open to make my next move now 😉

    “if your not living your own dream, then your living in someone elses”

    Funny you say that, I was doing the same thing. I never played online poker seriously, because at first it was just a hobby (like DJing) and I was always a much better live NLH/PLO player. Foxwoods was also 40 minutes from my college so it was convenient enough to take advantage of alot of the tourists that came in daily. I was grinding 60-70 hrs/week and had limited expenses since everything most of everything was comped. After I graduated I moved further north and now its hard to find a consistent game so Ive been focusing more on my DJ skills. And I gotta say, IMO DJing is much more enjoyable, and not nearly as stressful as grinding it out, day by day at the tables, in the same seat watching the sun go up and down. Now if Im lucky I get to watch the sun come up when Im in the booth.

Viewing 15 posts - 31 through 45 (of 69 total)