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  • in reply to: Competition Help #36115

    Thanks guys! appreciate both replies. I guess I am just over thinking all of this because I myself am a very paranoid person. I over analyze tiny aspects. I’ll be spending these next couple of days looking through my crate and hopefully next time I post It will be with good news!

    in reply to: DJ Groups. Strength in numbers? #35433

    I voted group but I am on the line for both. When it comes to live DJing, a group could be fun to get over the nervousness of playing in front of a huge crowd for the first time, but TBH you won’t be really DJ’ing if you have more than 2 members in teh group. Anymore would just be pressing play and dancing around (like swedish house mafia not meaning to bash but its the first thing to come in mind). But if you are bringing something new to the table like how the group “Birdie Nam Nam” Spins with 4 guys all on vinyl thats impressive.

    Both great posts by kubin and little komodo.

    My biggest piece of advice I can give anyone starting out producing. Is to just dig deep and start unraveling back the secrets of your DAW. I think of producing as a giant Wood block. The DAW is the tools to chip and chime away at this wood block. And your journey to produce a track is like chipping away at the wood to create a sculpture. Its a time consuming journey but once you figure everything out (Which you never will since theres always new techniques and new ways to produce things coming out the A$$ best part about producing!) but enough so you can slowly start cultivating these amazing statues.

    But the biggest BIGGEST THING anyone has to remember, is that its a journey, you don’t bang out banger tracks right away! Unless you are a musical prodigy which I am not therefore I can’t say I’ve made banging tracks. (still on my own journey, finding my sound) producing is an investment. It is the only thing I can truthfully say will give YOU what you give IT.

    So just open up that DAW, load up some tutorials and just start hammering away. Experience is learnt not taught.

    in reply to: Everyone's Help #35236

    http://www.facebook.com/events/112714372236558/ scroll down untill you see my name which is Tony Truong

    in reply to: Im speechless…. #34383

    Great replies everyone, as I agree with Hee and D-Jam as well! I just thought everyone would like to hear what kind of a mockery the “EDM” scene has/will become with the release of some competition of this caliber, attracting people like Paris hilton Pauly D! Anyone has insights with what new sounds we may hear in the future? Always interested in hearing about that!

    in reply to: Merry Christmas #34071

    Merry Christmas to you as well Terry! And everyone else on the forums! 2013 I am challenging my producer side a bit more by trying to release material weekly! So check in the “Your mixes and Music” to see me pop in here and there!

    in reply to: Clockwork – Titan (Digital Junkie Bootleg) #33989

    Thank you! Sorry for the long reply been busy with completing my degree and trying to release tunes once a week XD

    in reply to: HELP I NEED THIS rmx NAME please #31219

    cant view it on my GC, FF or IE if you post it somewhere where i can view i could give you an answer

    in reply to: Holy Sh***! My best mixx ever… #30921

    Hey NADAL kudos on posting your mix i don’t know if its against the forum rules to be posting mixes in this section of the forum, but I do believe there is a section for posting mixes and your own music. Ill take a listen on my drive home from classes!

    in reply to: Trying to figure out the right samples #30903

    Depends on the DAW you are using. In ableton its great because It allows you to take a full song, take a part you like and create your own sample with it. Which is what you are trying to achieve, most published and mastered tracks won’t have samples that sound anything like what they have because it is their own original sound they have made up. You can get samples that have the same algorithim as the sample ie same instrument different melody but you most of the time if you want to get a sample that sounds like the original it would be best to take it from the original.

    in reply to: How did you get your first set in a bar/club? #30902

    biggest thing is approach any potential venue manager, or promotions group as a friend get to know them as people first, offer to help without expecting a time slot to play right away. If they know your face and know you around the venue, chances are when they need someone to fill in, or a new position opens up they will most likely pick the person they know more as a person.

    in reply to: How to approach promoters for a gig #30901

    My best advice for you is approach them as a friend mind set do not approach promoters with a mindset of trying to win them over and getting them to listen to your stuff.

    Promoters probably get more than a dozen minimum of bootlegs, mixtapes cds etc handed to them by individuals giving the same speel about how they are better than the previous DJ, chances are if you are doing it this method it has a slim chance of working. But majority of the time the promoters would actually zone out and would just toss your cd or whatever out before he even leaves the venue and heads home.

    From personal experience I found a promotion group I wanted to work for and figured out when they held their events, ,their regular promo nights things like that and I would show up by myself to their event and try to see what type of crowd they attract, and the music that would be played most there. From then I work from meeting the DJ’s before or after their set and get to know them as a person first, to eventually offering them a hand here and there eventually getting to know them as a regular person rather than a DJ and someone who is just trying to use them to get their foot in the door. I eventually got introduced to the promotion group manager and from the moment I met him to the moment I got a booking as DJ I never once talked to the manager about me wanting to play. I spent weeks going out with the manager, going to his events and having a few drinks to being invited over to his home for a pre-game gathering before a night out. I became somewhat as a friend more than just that guy who handed him a mixtape at the venue on one of his weekly nights. Because in the end if they like you as a person they could care less if you a 13 year veteran on vinyl or a 2 month digital controllerist just looking for his first gig, if you “WOW” them then you are pretty much in the door.

    Again this is from my personal experience from my area of living.

    in reply to: Hello from Eastern Canada #30767

    Welcome to the forum! Trust me it gets even more exciting as you learn more things and just wait how much things change say a year down the road:D. Always nice to see another Canadian on the forum! I myself am from calgary

    in reply to: POLLTIME YALL #30670

    In the next 12 months I hope to have released an EP with a label (Already have one up just need to finish the ep and send it in XD) but to on a daily basis release my own productions/remixes.

    [media=youtube]Yz9mZV6cRVk[/media]

Viewing 15 posts - 1 through 15 (of 62 total)