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  • in reply to: ToneDen vs. Just Go, or…. #2130491

    https://snowfieldrhapsody.wordpress.com/

    That’s the up-and-working version of the site.

    Will update with mixify and YouTube links for media when I get new media for them and will delete my Beatport and ToneDen account since no traffic is going there. (have to contact support for both since there are no overt options for deleting -_-)

    Let me know what y’all think and any suggestions/criticisms/compliments will be appreciated.

    in reply to: ToneDen vs. Just Go, or…. #2125041

    Great suggestions homies, good looking out.

    @GroovePunk – I’d like to see your website if you are willing to share either here or PM.

    The WordPress sounds like a good idea since I have had one for years which, ironically, part of my artist name is derived from. So I guess it’s perfectly suitable as soon as I can figure out the widgets and things.

    Would anyone by chance have any recommendations for low-cost/free personal websites? Also, any for useful plug-ins?

    I will of course be doing research myself, but any info helps speed up the process by leaps and bounds. 🙂

    in reply to: DJ Mix/Production Liability Partner #2099621

    Hahaha whoops, I meant to say ACCOUNTABILITY , not LIABILITY partner Orz

    in reply to: Knowing When You Aren't There Yet #2084051

    Thanks for the reply homies.

    I guess just go into it and come out better is the game plan. 🙂

    Maybe the worry comes from the thinking, “WTF am I?! doing here?!” – but if I’m good enough to play in the club at all, I guess main stage shouldn’t be any different.

    If anyone else posts that did pass up the gig, I would like to hear more about your reasoning.

    For those who are interested in knowing if I’m technically there or not, check out the ‘Mixes’ part of the forum; posted one of my recent mixes there.

    in reply to: Personal Opinions on Sync Button #39449

    I personally don’t use sync unless I’m playing a live remix and I know the beat-grids are good – with that said, knowing the correct way to nudge (i.e. is this new track faster or slower?), how to keep them together, and when to mix in are a part of beat-matching that CDJs don’t do for you (if that’s the case, I need to find some that do!). CDJs get BMPs wrong too, so you still have have to know how to do these things correctly to not trainwreck.

    And realistically, most vinyl DJs now already know the BPM of most of their tracks (whether they sat down with a metronome or searched for it online), so it’s a bit more difficult, but not as if they are completely beatmatching ONLY by ear without any other information (opposed to back in the day were a metronome WAS the only way to really know the BPM of a track).

    Just my two cents from having experience with vinyl, CDJs, and controllers.

    in reply to: Personal Opinions on Sync Button #39201

    Just wanted to re-post this from a previous post that was recently closed pertaining to the notion that using sync was the same as looking at CDJ bmps, lining them up, and then nudging them in place.

    [INDENT]I feel ya on this homie, but I just wanna say something real quick for me as a DJ who has to use CDJs instead of my controller (my laptop is horrible and the CPU load messes up the master output if I try to cue).

    I thought exactly the same thing as you since I don’t use the sync on my Mixtrack, but I learned quickly that beat-matching is MUCH more difficult on CDJs even if you practice for them on your controller for these reasons:

    -Not sure about older CDJs, but my new residency has a pair of CDJ 750 (between 700 – 800 series if I am not mistaken – it’s dark in clubs haha). On this version, I don’t think there is a way for you to use hot cues via SD/USB (I had to start learning how to burn CDs), so all cueing has been done manually. There is no waveform, so you gotta KNOW your music and guestimate where the part you wanna bring it in is. If you are not familiar with this kind of workflow, it WILL most certainly show up in your beat matching by either taking you much longer to get two tracks in sync or not being able to in time when you want to bring it in.

    -CDJs drift more than they do when using a laptop – also the bass from the speakers may rattle the CDJ, inadvertently altering your pitch fader without your touching, effectively screwing with your beat matching over a long period of time. Plus, the BMP of computers is usually more accurate than CDJs. Maybe on newer ones they have the tap function, but on the ones I’m using they don’t. So sometimes you get a BPM at 300 while the other one is flickering between 125 and 126. (Even if you get them at the same BPM, they will eventually drift – if the beat grid is good, then I could play two songs at 124, line them up, and they will never go out of sync; I have never had such luck with CDJs for more than 10 seconds).

    -Beat grids, wave forms, phrase bar, etc. – you have so many tools on a DJ program that (older) DJs do not. The only way to REALLY practice as if you are using CDJs is to disable all of your beat grids, hide your phrase bar, and only look at your computer to select the next song and see its BPM.

    I just want the people who haven’t used CDJs yet to know that beat matching involves (sometimes a lot) more variables than what may meet the eye. OLD CDJs are standard, not the CDJ 2000 Nexus ones lol

    Sunjalo is right – the basics are the same as if you don’t use the sync button on your controller, but with any basics it still takes some practice to get it right when switching equipment. I played on digital vinyl once using Serato Itch for a Hip Hop set and all I could do was vinyl brake, back spin, and cut on the 1 since the feel was completely different from CDJs and/or a controller.

    Props for you for learning the old school way haha

    -Shoni[/INDENT]

    in reply to: Serious About Professional Level DJing: Promo/Record Pools #39200

    I understand what you guys are saying and I really do appreciate your feedback. Before I give up on joing a promo pool I just want to ask this – how else can I get hard to get tracks/promo tracks, etc. aka the gems, the good stuff, the unshazamable stuff, etc. if I am just searching on Beatport/Traxsource, etc. (which I already do as mentioned above).

    In fact, that’s the only way I know how to search for music – follow record companies on Soundcloud, listen to underground and famous mixes for tracks that stand out, searching through recommended videos on Youtube as well as Beatport and Traxsource. I would be willing to pay $100 for 15-20 rare tracks to round out the methods that I already use in order to develop my own sound.

    I just wanna know the best site that I would be able to do that – and if they over lossless formats 🙂

    (https://soundcloud.com/rhapz/warm-kotatsu-mix – a link to my stuff if you are interested! Also send me links to your sets!)

    in reply to: The sync debate ? *CLOSED* #39153

    Thanks for the link bro!

    in reply to: Play button not working! #39150

    I would say try looking online for videos on how to take it apart or remove (safely) the buttons so you can clean it.

    You could also try a air dusting it via spray can to see if dirt is the issue.

    If those don’t work, see if your warranty is still good 🙁

    Good luck bro!

    -Shoni

    in reply to: The sync debate ? *CLOSED* #39149

    I feel ya on this homie, but I just wanna say something real quick for me as a DJ who has to use CDJs instead of my controller (my laptop is horrible and the CPU load messes up the master output if I try to cue).

    I thought exactly the same thing as you since I don’t use the sync on my Mixtrack, but I learned quickly that beat-matching is MUCH more difficult on CDJs even if you practice for them on your controller for these reasons:

    -Not sure about older CDJs, but my new residency has a pair of CDJ 750 (between 700 – 800 series if I am not mistaken – it’s dark in clubs haha). On this version, I don’t think there is a way for you to use hot cues via SD/USB (I had to start learning how to burn CDs), so all cueing has been done manually. There is no waveform, so you gotta KNOW your music and guestimate where the part you wanna bring it in is. If you are not familiar with this kind of workflow, it WILL most certainly show up in your beat matching by either taking you much longer to get two tracks in sync or not being able to in time when you want to bring it in.

    -CDJs drift more than they do when using a laptop – also the bass from the speakers may rattle the CDJ, inadvertently altering your pitch fader without your touching, effectively screwing with your beat matching over a long period of time. Plus, the BMP of computers is usually more accurate than CDJs. Maybe on newer ones they have the tap function, but on the ones I’m using they don’t. So sometimes you get a BPM at 300 while the other one is flickering between 125 and 126. (Even if you get them at the same BPM, they will eventually drift – if the beat grid is good, then I could play two songs at 124, line them up, and they will never go out of sync; I have never had such luck with CDJs for more than 10 seconds).

    -Beat grids, wave forms, phrase bar, etc. – you have so many tools on a DJ program that (older) DJs do not. The only way to REALLY practice as if you are using CDJs is to disable all of your beat grids, hide your phrase bar, and only look at your computer to select the next song and see its BPM.

    I just want the people who haven’t used CDJs yet to know that beat matching involves (sometimes a lot) more variables than what may meet the eye. OLD CDJs are standard, not the CDJ 2000 Nexus ones lol

    Sunjalo is right – the basics are the same as if you don’t use the sync button on your controller, but with any basics it still takes some practice to get it right when switching equipment. I played on digital vinyl once using Serato Itch for a Hip Hop set and all I could do was vinyl brake, back spin, and cut on the 1 since the feel was completely different from CDJs and/or a controller.

    Props for you for learning the old school way haha

    -Shoni

    in reply to: DJing Abroad #39148

    Haha save the Daft Punk for the moments there is a lull in talking volume!

    And that sounds like a good plan – make sure you know what kind of speakers/sound system they have available and try to check their websites to get a better idea of their night life (if they have a page).

    If you have any other concerns, hit me up!

    -Shoni

    Word, thanks for the help. I’ll try their trial memberships to see if it’s worth it and guess the verdict is out on the loss-less formats.

    Just sucks that you spend many hours a week listening to all the spots I mentioned above, yet when you hear the artists you admire in your genre you always a) hear amazing tracks that you have never come across and b) have no idea where to get quality tracks like that.

    If anyone else can help with this I’d be much obliged 🙂

    in reply to: DJing Abroad #39144

    Shout out to DJ Homei for linking my previous post! (I might come to China/Hong Kong area this summer – hit me up so we can kick it)

    If you do check out the post Ess Jay, DDJ did an article about DJing abroad. If you don’t feel like digging for that, I’ll just give you personal advice from being an American DJing in Japan:

    -DJ Homei is right, the hits WILL be different, especially if you are not playing mainstream (read: Top 40) music. Ways around this are a) ask the places you will play at what kind of music THEY would like for their bar (they want to sell drinks, so cater to them if you will be more of an atmosphere setter than the main attraction); b) go to the bar on a night you are not playing and listen to what’s playing. Are people tapping their hands or feet while they drink at this bar, or is the speaking atmosphere more important?; c) play the stuff you like and try to throw in some tunes they might like every now and then – you are best at the stuff you know, so better to cater to that than to put a bunch of time (and potentially) money to prepare for some gigs you will just have over the summer.

    -Be social: Talk to the customers if you are allowed to by management and if you don’t know any French then practice a few phrases and do your best. The crowd/management works with you a LOT more if you can/attempt to speak their language. When they warm up, they might even give you advice on how the night is going or what sort of stuff they want to listen to. (France = maybe Disco House?)

    -Overall, just play a good set whether they like the music or not. No going into the red, avoid train-wrecking (back spin or cut if you need to), and make sure people can hear each other talking since it is a bar and make it about the people.

    [TL;DR] Try to speak the language, check the environment and try to play to it, play a good set.

    If you have any other questions just free free to hit us up

    -Shoni

    Thank you bro, it’s good that I got at least SOME feedback on the situation.

    If there is any other advice you can think of PLEASE feel free to let me know bro!

    in reply to: How to use reverb in mixing? #36390

    http://www.native-instruments.com/forum/showthread.php?t=93180

    I found this thread useful for some ideas with effects

Viewing 15 posts - 1 through 15 (of 28 total)