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Viewing 15 posts - 1 through 15 (of 58 total)
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  • in reply to: Johnny B Music Blog #1006830
    Johnnystorm
    Member

    Phil Morse, post: 22423, member: 2 wrote: Good luck with your Tumblr 🙂

    Thanks Phil!

    in reply to: Why I Produce Music And DJ (Blog Post) #1005980
    Johnnystorm
    Member

    Thanks Phil!

    Johnnystorm
    Member

    Alex Cloutier-Dupont, post: 21723, member: 2256 wrote: Havent ben around the DJ community for long, a list of most used accronyms with definition could be helpful ie What the heck is a DAW?

    It stands for Digital Audio Workstation, in other words a computer software you use to produce music with.

    in reply to: Hi from Woody #1003843
    Johnnystorm
    Member

    Welcome to the site Woody, if you have any questions then feel free to ask me or anyone else on the forums.

    in reply to: Hello :D #1003686
    Johnnystorm
    Member

    Welcome to the forums.

    Johnnystorm
    Member

    Thanks for the help guys, I think I might just wait and get the new Behringer headphones.

    in reply to: It's good to be here! #16005
    Johnnystorm
    Member

    Brotha Onaci, post: 15623, member: 1564 wrote: Peace & Blessings Digital DJs!

    First let me say that i LOVE this website. I visit it several times each week and send articles to my friends who are beginning their DJ careers.
    I have been DJing since 1997, and have spun at a variety of events and in several different formats, including nightclubs and bars, weddings and professional events, on the radio and internet, and at outdoor events. I am currently spinning at small venues in Philadelphia.
    My musical expertise includes Top 40, Hip-hop, R&B, World music (particularly African, Caribbean, Latino, and “Global Bass”), House music, and Funk and Soul from the 1960s and 1970s. In other words, I am ready to play everything from Katy Perry to James Brown on any given night!
    I used to be a vinyl “purist,” but quickly came to realize that no matter how much i love it, vinyl is becoming obsolete. Rather than get left behind by technology, i got into Scratch Live LOVE. That is still my preferred method of DJing (at home or in venues that already have Technics or CDJs available); however i’m now also an Itch-toting controllerist!
    Much Love to Phil and the DDJT crew/community. I look forward to learning more from everyone here.
    Blessup

    Hi, welcome to the site! I hope you will enjoy it here on the forums.

    in reply to: Why You Should Buy Music #15877
    Johnnystorm
    Member

    D-Jam, post: 15844, member: 3 wrote: Pick their favorite artist and ask them how they would feel if he/she came on Facebook and publicly quit…stating the vast amount of piracy and lost money led them to give up on music.

    Easiest way to put it. They can rationalize to death on how much more money they make in touring and such, but just like that they could decide to quit altogether, or stop producing and just run services to make money off other producers where those guys lose on piracy, but not him.

    You make a very good point on that, music is so cheap now so I don’t see why its such a problem to buy a track for.

    in reply to: Why You Should Buy Music #1003109
    Johnnystorm
    Member

    D-Jam, post: 15764, member: 3 wrote: I think there are plenty of free and legal resources for music now that even the broke DJs have no excuse to pirate.

    My only debate I have on media rights are when I am told what I can or can’t do with it. If I decide to re-edit a tune for myself and use it…I should not be sued UNLESS I’m giving it away or selling it. When I say “re-edit”, I mean when the tune hasn’t changed much, but I might have rearranged it to lengthen a break or shorten the tune.

    In terms of movies, I get mad when it’s suddenly “illegal” to take a DVD I bought legally and rip/convert it for my own personal use on a mobile device. It’s gouging customers to tell them if they want to play a movie they legally bought on DVD on a mobile device, that they have to shell out more money for the digital file. It’s the same when I decide to change the ID3 tags or file name to suit my needs on a music file.

    I figure as long as I’m not giving it out to everyone, I should be able to do whatever I want with what I legally paid for.

    Yeah I agree with you on this one hundred percent, I’m just getting tired of some of my friends always saying there’s no point in buying music when you can just get it for free. I mean yeah sure you can get it for free, but that doesn’t mean its going to be perfect like it would be from buying it online or whatever.

    in reply to: Why You Should Buy Music #15531
    Johnnystorm
    Member

    GerdB, post: 15565, member: 1387 wrote: Welcome in the real world!
    I also think sport stars in soccer, football, baseball or whatever are over compensated. But thats how it works, if there are enough people willing to pay for this stuff, so be it.
    No one forces me to buy the newest and hottest tracks, I still decide if its worth my money.

    Yeah that’s my point, no ones forcing anyone to buy a track if you don’t like it then simple don’t get it. If I like a track I’m willing to pay for it, if you ask me I don’t think its that much to buy a track anyway.

    in reply to: Why You Should Buy Music #15489
    Johnnystorm
    Member

    mr_john, post: 15558, member: 87 wrote: Music is over regulated and artists are over compensated for it. Money should not even be a factor, but the wonderful system of capitalism saw to that. Personally I would feel pretty damn good about life if my album was the top downloaded thing on pirate bay. Do I have to make a living? Yes, and there will be people that buy albums sure. But that’s not how you make a living as an artist. TOURS are how you break even. And it’s never the “up-and-coming” artists whose albums get pirated. It’s the enormous names who have more money than they know what to do with.

    What brings in more profits? Album sales or album exposure? If you can spread your music around 10 people at 5 bucks an album great. If you can spread your album to 100 people for free isn’t that better? Don’t you create a larger fan base who then buys merchandise, goes to shows, tells their friends, and buys albums later?

    The thing holding these “fringe” artists back isn’t album sales, it’s exposure. Half the reason the sales even matter is because they are what the charts are based on.

    No matter how you see it, people should still buy the tracks regardless of how much money the artist already. Getting it for free is what’s causing the decrease in music sales. I’m very much against this, unless an artist decides to give the track or album away for free.

    in reply to: Why You Should Buy Music #15476
    Johnnystorm
    Member

    GerdB, post: 15542, member: 1387 wrote: Well
    Well, I am not a musician nor a producer. My voluntarily work is some charity work.
    My point just was: Everyone can decide if he/she wants to get paid for their work or not. If a musician or a producer wants money for their music, then taking it without paying is just thievery.

    Couldn’t agree more with what you just said.

    in reply to: Why You Should Buy Music #15452
    Johnnystorm
    Member

    LoveLand, post: 15497, member: 1225 wrote: some emerging artist choose to provide their tracks for free to download to get exposure on the underground. what do you think about that ? sghould it be stopped also ?

    You read my post wrong, that wasn’t what I was even getting at. I’m talking about producers who are signed to labels and producers who put their tracks on beatport, Itunes, etc. If you wanna give your track away for free then cool, but I’m sure producers who put their work on beatport or whatever expect people to buy the track and not just download it for free.

    in reply to: Next Steps with a Midi Keyboard #15391
    Johnnystorm
    Member

    James Downes, post: 15441, member: 1352 wrote: WOW thanks ^ =]

    i know what the sequncer is yea, so any sound starts in there and then on to the full track ( f5 )

    so all these wierd machines that make sounds is where it all happens

    No problem man! And yeah that’s the way to do it, that’s how I always made my tracks whenever I used Fl Studio. Usually when I work on a track I start with the drums and then move onto the basslines, synthlines and what not. I find that if a track doesn’t have a good drum beat then the rest of the track won’t be good but that is just me.

    in reply to: Why You Should Buy Music #15390
    Johnnystorm
    Member

    Cybertrash, post: 15444, member: 281 wrote: I agree, music should be bought and paid for, what I don’t agree with are the increasingly draconian, privacy-threatening copyright laws that are being drafted, as well as many western government’s blantant pandering to the big content industry (RIAA/MPAA)

    Oh I’m totally with you on that one, I agree I think the Government is pushing to hard on those laws they should think of other ways for copyright laws.

Viewing 15 posts - 1 through 15 (of 58 total)