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  • in reply to: Dealing with the public #1013055
    P.Chiddy
    Member

    I had a businessman in a big swanky bar this past weekend nagging me like a child to play Guns n Roses, after I was explicitly told by the bar manager to keep it light, simple chart stuff only. When he first approached I tried to have a joke with him about it. The second time I politely told him that, when the manager appeared, I would put it to him and see what he said. The third time, he was throwing his toys out of the pram so I told him I was not allowed to play that sort of music without the green light from the bosses. The fourth time, his petulance was embarrassing, so I looked him dead in the eye and flat out told him there was no way I would be playing it.

    My philosophy is treat others how you would like to be treated, and if they do not return your good nature, you have the right to put your foot down. I don’t mind requests, or even banter regarding requests, but hostility and childish behaviour is something I won’t tolerate, not just as a DJ, but as a person.

    in reply to: Fake "DJ's" #1012982
    P.Chiddy
    Member

    I have a weekly residency at a bar, if I started mixing tracks together, playing mashups and whatnot, I would be out of the door quicker than a hiccup. Also, as Si said, at weddings and parties it’s a simple fade in and out procedure, with the emphasis being on keeping the floor packed all evening, playing the hits that will keep everybody smiling and having fun. When I get home, or if I get a decent club gig, that’s when I start getting technical but that’s just me, every DJ is different.

    The guy’s strengths are obviously that he knows his music and he can work a crowd, which in my opinion are any DJ in public forum’s top priority. I wouldn’t call the guy fake.

    in reply to: How do you deal with DJ nerves? #1012838
    P.Chiddy
    Member

    I try to sort of enjoy the feeling if that makes sense. I guess it’s a perspective thing, like I can either let the butterflies affect me negatively and clam up or I can enjoy that rush of adrenaline I’m getting, embrace the rare feeling when you’re out of your comfort zone and use it.

    It’s a cliche but you rarely feel more alive than when you’re buzzing with nerves. And if all else fails, I just remind myself if I fuck up, receive negative feedback or clear the floor with my first track and fail to get the crowd back, I’m still going to wake up tomorrow and carry on practising, learning and improving myself as a digi-DJ.

    I think the nerves are all based around the fear of other peoples opinions. Like, we get nervous because of how others will see us, which makes sense as we all put ourselves out there for judgement, and people do love to judge. Just remember, opinions are like arseholes, everybody has them and if somebody tries to force either of those things on me, I’ll gladly turn a blind eye.

    in reply to: This may seem like a stupid question… #1012758
    P.Chiddy
    Member

    Cheers for the honest response Terry, going to my local DJ store to have a play and make the final decision tomorrow

    in reply to: This may seem like a stupid question… #1012756
    P.Chiddy
    Member

    Do you mind me asking what it is about the S4 you aren’t keen on? I want to make an educated decision before I go spending

    in reply to: Advice for Getting Paid Gigs #1012744
    P.Chiddy
    Member

    The decent money for me started coming in when I accepted that DJing for younger audiences in the most exciting venues did not come with any money attached. My first big pay cheque was a club night I organised, promoted and charged for myself, so every penny on the door went in my pocket. Since then, it’s never been clubs or college / uni parties that have paid out, but the mobile disco stuff for the oldies / weddings / private parties thrown by rich parents. Building my own personal set-up of a decent speaker system, mixer, laptop and controller has opened up more doors than I can count.

    It’s the old cliche of “spend money to make money”. I got a part time job which I hated, knowing that at the end of it I’d have enough money to buy the basic equipment to get started, then I quit that job and now I make a decent living off DJing.

    in reply to: This may seem like a stupid question… #1012743
    P.Chiddy
    Member

    I really appreciate the responses guys, it’s extremely rare to find a forum where you can post a question and receive multiple friendly, informed answers.

    If I’m honest, the opinions of others are the least of my concerns. I’ve had people give me the “seriously, digital?” look and speech before and, ultimately, I know I can silence them when I show them what I can do with my controller (even just the Mixtrack). It’s more like, I have this set budget, really want an S4, but everybody raves on about getting both the software and hardware for Rane Serato Scratch that it seems like something I should seriously be considering.

    Getting gigs hasn’t been a problem for me really, I’m not a big club DJ mixing lots of heavy dance tracks which I’m ok with, i do that in my spare time. I’ve already made some excellent contacts so now it’s just about tooling up. I think you’re right though, the S4 feels like the natural next step to me so I should go for that. Where I’m DJing, elitism isn’t really a problem as people tend to be more interested in WHAT they are hearing and not how they are hearing it.

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