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Viewing 15 posts - 16 through 30 (of 35 total)
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  • in reply to: DJ Busking: Why you should… #35724
    Strictly T
    Participant

    haha good on you! I live in Manchester in the UK and the city centre is full of Pop Idol, X Factor and Britain’s got talent wannabees inflicting their horrible music on the masses. I often think if they can play this shite all day why cant me and my mates set up our DJ equipment and play some tunes.

    Sadly in Manchester there is no way the authorities or police would give you a licence or allow you to continue you if you did. I think it would be classed as a rave.

    Strictly T
    Participant

    I am also very keen to know the answer to this, I see a lot of techno producers I like seem to have gone through some musical training. However, I still think you can teach yourself and have a lot of fun along the way as long as you throw yourself into it.

    I think the key is to have fun then who knows maybe successful will follow, but if not it doesnt matter because you have still had fun 🙂

    in reply to: How much of your music do you actually like? #34667
    Strictly T
    Participant

    Maximlee, post: 34682, member: 2165 wrote: I kind of can relate… i do listen to old tracks and see how my taste has changed but i still like the tracks i have purchased. hating your records and deleting your records you have bought…. i think ure either only buying tracks that you hear other djs play or big tracks e.g top 10s. You got to LOVE each and ever record you buy and you gotta know why you are buying them…what attracts you to a record… is it bass.. is it the groove of the drums… is it hooks or melodies. If it just because ure fav dj is playing it, then you will probably not like that record in a few weeks cau there’s no element of that track that you LOVE.

    Before i buy any records from beatport or traxsource i listen to them again and again then i come back to it the next day and do the same, then maybe even a third day…. after about 10 listens you firstly filter out the tracks that are catchy but have no real depth plus you start to hear tracks that are in the same feel and groove that will fit together as you are listening to the main piece of records.

    Happy Mixing

    Thats good advice MaxinLee, especially about the catchy tunes with no depth:)

    I think hate may have been too strong a word for some of my old tunes, I loved them at the time but my taste has evolved – there are some tracks that fit into my style still now and there are some classics that I will always keep.

    I do think in the past I have been too hasty when buying music off beatport – I have changed my ways recently, and I mainly buying full EPs rather than individual tracks, just like if I was buying vinyl. It puts extra pressure on me to ensure I buy music I really like plus you get the other tracks that can grow on you over time.

    in reply to: How much of your music do you actually like? #34386
    Strictly T
    Participant

    haha i wish i was like you but my music tastes always subtly change over time. I must have liked the music in order to buy it , but now it just doesn’t fit in with what I play. To be honest up until the summer I think I was a bit happy go lucky with buying tunes, but it is good to experiment.

    I’m really keen to get back into vinyl alongside my digital djing but I am worried I will waste money on EPs I wont use 🙂

    in reply to: First Gig Tips? #30856
    Strictly T
    Participant

    Hee Won Jung, post: 31002, member: 948 wrote: Know the place you are playing at…Go there on the night that you are suppose to play…see what the crowd is like and what the vibe is like…Nothing worse than going to a place wanting to play Banging Electro and its a Hip Hop night LOL.

    Also make sure u know what equipment they have and what you need to bring with you…and have spares of whatever it is you need…extra cords etc. As well Take a CD with some music or a USB stick just in case things go south and you need to reboot your computer or whatever.

    The biggest lesson though is…HAVE FUN! oh and dont play music out of time slot…like Crazy Banging PSY Trance at 9pm…

    I couldnt agree more with your last point – one of the lads we DJ with plays really fast BPMs at the start of the night and doesnt think to build things up it can be quite annoying!

    in reply to: First Gig Tips? #30855
    Strictly T
    Participant

    Don’t worry about nerves – they are good and will help you focus!

    Learn from my mistakes though and dont get really drunk to make them go away! A drink or two is fine IMO as it calms the nerves and can get you more into the flow but a few too many and your brain cant count properly and it can all go wrong:)

    in reply to: Sorting a small venue #28347
    Strictly T
    Participant

    Rob Francis, post: 28494, member: 74 wrote: I looked into promoting a night years ago and it struck me what a big gamble it was. Most places want money up front to book the room plus they keep the bar money. You tend to have to stump up money up front and can stand to lose it all if no one comes.

    I’ve known a lot of people lose money this way. You would really have to try and guarantee that you can get a decent amount of people in.

    Sorry Rob – completely off topic – I see you are using a K2 how do you find it? I am thinking of getting one and mapping it for truly portable 4 deck control. Any feedback very welcome 🙂

    in reply to: Sorting a small venue #1012094
    Strictly T
    Participant

    Thanks for the responses guys – sorry I wasnt very detailed in my original post 🙂

    We have quite a lot of experience of putting on nights and getting people in and have all our own equipment – we just need a room in Manchester to get 20 – 50 people in and play techno to the early hours 🙂 Our previous venue in a big basement has fallen through sadly now the hosts have moved out.

    My thinking is finding a pub which is dying on its arse and offering to pay for the function room. Or the other plan is to make use of Manchester’s much improved transport system and look at putting something on out of town in an unusual area or place.

    Strictly T
    Participant

    There is a lot of good vinyl only techno out there. It can be quite annoying but I think it is a good way for artists to make some money. I think it is easy to think you are missing out because there are a lot of good tunes on vinyl but the labels are only going to spend the money on vinyl if they know it will sell or they will lose money.

    in reply to: EDM and newness. #1012046
    Strictly T
    Participant

    It’s a difficult question – I am on a life long mission to discover new music and have a passion for weird techno music, with a soft spot for house music, but with so much music out there my new stuff can often be old tracks I have missed 🙂

    The main problem that I am addressing at the moment is to stop buying records on a whim – really listen to a tune before I buy so I can ensure it is quality. Early in the year I was buying too many new tunes and I probably dont even listen to half of it!

    in reply to: Just got my first gig – advice please! #1009293
    Strictly T
    Participant

    Hey mate I started playing out on a Mixtrack Pro – my advice – go to a music shop and buy a headphone amp, they are cheap. I couldnt hear a thing in my headphones when mixing at all. It is the best purchase I have made:)

    in reply to: Problem with friend about sharing music #1009263
    Strictly T
    Participant

    hmm its a tough one, I burnt loads of good stuff to play on my mates CDs – he is a much better DJ than me don’t get me wrong but at the time I was playing Techno and he was purely Electro House so didnt think much of it. Over the last 6 months he has completely changed to full on techno DJ playing a lot of my stuff in the process, which at times could be annoying. But then I thought it is also a complement that I have had such a big influence on what this guy is now playing and a lot of the music I buy is from listening to mixes from other DJs I like so its not really any different.

    I am definitely more cautious about giving music away now, but overall I think sharing music knowledge is good it helps to develop your style but maybe dont give away stuff for free if you have spent a lot of money without getting something in return!

    in reply to: Is the Allen & Heath Xone DX still worth buying? #1009261
    Strictly T
    Participant

    Cheers mate! Been researching all day actually and leaning towards getting a A&H Xone:K2 now. I am very keen to learn some midi mapping and building up my own workflow…not sure if that is a good idea or not! I am also getting sucked in by the small size and price 🙂

    Otherwise I may save up for a VCI 400, decisions, decisions! I wish there was an industry standard like with turntables and CDJS.

    in reply to: Is the Allen & Heath Xone DX still worth buying? #1009243
    Strictly T
    Participant

    Hi BoomBox thanks very much for taking the trouble to pass on all this information, very helpful and opened my eyes to some new controllers.

    I was a bit worried about the A&H’s age and if it has been discontinued then I think I will definitely give it a miss, don’t want to end up with another dud controller like I did with the SCS3 system which has piss poor support from Stanton, this is a real shame as it could and should be brilliant.

    This time I am really going to take my time before I choose a controller as I want to buy one which will last a good few years now!

    Strictly T
    Participant

    Norris sk8, post: 25135, member: 2788 wrote: Living in Manchester and being 21 there is a hell of a lot of competition breaking through as a DJ. I find that nearly everyone I know who is DJing in clubs is either, a really good producer, very good at marketing and DJing very comercial nights or DJing very small clubs and making little to no money out of it.

    I love DJing so much and I practice so much. I really want to get into playing clubs and I do think I am up to it. I have tried producing and have made a few alright tracks but I just cant get into spending so long at a computer making a track, I just dont find it practical enough.

    What im trying to say here is im sure there are many extremely talented DJs who arnt getting to play out purely due to the fact they are not into producing. And there places are more than likely being taken by people who may produce fantastic tracks but there DJ technique is below par.

    Im sure this doesnt apply to all scenes but it certainly seems to be the way as far as DnB, Garage and Dubstep go. Just to add to the problem digital DJing is pretty taboo amongst these genres making it even harder to get noticed.

    If DJing is really what I want to do should I just try to put my impatience aside and improve my producing skills or should I find another way into the clubs?

    Hey mate – not sure if it works for your genres but we are in Manchester and just set up our own little night over the last few years, pretty random and underground and made no money but one of the guys has been asked to play at Sound Control off the back of this so I guess he is likely to get paid and it is a start! I think one of their promoters came to one of our nights.

    If you have a group of mates into the same music – I would try and do something yourself, the main nights in Manchester are pretty saturated now and feel all the same I think the city is crying out for smaller more interesting nights. If you keep focussed on the music and having fun I am sure over time you may get your chance!

Viewing 15 posts - 16 through 30 (of 35 total)