Back in 2004, I was asked to review the very first Hercules DJ controller – one of the first DJ controllers ever made – which was a tiny device not dissimilar in looks to the Hercules DJ Control Instinct, which we look at today.
Despite having no sound card (so no headphones) and some pretty serious design misgivings, that little controller was what got me hooked on digital DJing. Now nearly a decade later, we have the latest little baby in the company’s range to look at. How does it shape up in a very different world? In today’s Hercules DJ Control Instinct review, we find out…
First impressions and setting up
It’s tiny! It comes in a little box, and is no bigger than a paperback book. Lightweight and in a mixture of glossy and matt black plastic, it hat two shrunken, clunky jogwheels, three faders, six knobs, a couple of paddle controls, and 35-odd buttons.
There are 1/8″ TRS sockets front and back for headphones and speakers respectively, and also twin RCAs at the back for speakers. It has a hard-wired USB cable. Four big, shallow rubber feet hold it steady on your surface.
While it’s completely plastic and plainly consumer oriented, it’s perfectly well made for what it is.
While it’s completely plastic and plainly consumer oriented, it’s perfectly well made for what it is. It feels like it will last for a long time, and at least the fact that it’s black means that it looks only partly toy-like.
The supplied software is called DJUCED, which is not one of the big DJ software brands. Indeed, currently it’s only available with a couple of Hercules DJ controllers. You install it from a supplied CD. In fact, you have to install the Hercules drivers (it annoyingly installs drivers for every Hercules controller – bloatware alert!) and the software separately, something the instructions don’t make clear.
Once you’ve jumped that hurdle, though, thankfully everything else is set up for you on opening the software, which means when you plug your headphones in they work as they should, and when you plug your speakers in they do what they’re meant to. Far more respectable DJ software brands can’t get this bit right, and it’s a major stumbling point for countless beginners, so well done Hercules and DJUCED.
With only three knobs and three faders, of course this is going to be DJing stripped back to its bare basics. Here’s the good news: You can DJ perfectly well on this. The responsiveness is good, the jogs scratch and nudge reasonably well (although you can’t do spinbacks, turntablists, because when you remove your hand from the jog, it loses scratch functionality), the cue/play/pause buttons are repsonsive, and the sound quality is fine.
By “fine”, I mean that it is perfectly acceptable for anything anyone is likely to throw this controller at (you’re not planning on using it in a superclub, are you?), and that the keylock and beatlock algorithms are as good as the majority of the competition.
A couple of functions that would have knobs on bigger DJ controllers have a pair of buttons instead, specifically library scrolling and headphone volume. While this isn’t ideal, it’s not a dealbreaker.
One compromise that is a bit more worrying (but that is understandable) is the use of paddles for pitch controls rather than sliders. Truth is that 90% of users of such a controller will use the “sync” button to match the speeds of their tunes, so won’t need to use these controls at all. But if you do want to manual beatmatch on it, they’re a poor option. It’s possible, but it won’t be as easy.
Likewise, while the DJ Control Instinct has access to hot cues, loops, effects and even samples in the software, you need to cycle between functions to make the same four little buttons work with all of these functions. Forget to switch to “loop” before hitting the loop button, and you may just accidentally hit a hot cue and completely wreck your mix.
The jogwheels work better than they initially appear they’re going to. Unlike most brands, they’re mechanical – pressure rather than touch engages the scratch mode.
The jogwheels worked better than I initially guessed they were going to. Unlike most brands, they’re mechanical – pressure rather than touch engages the scratch mode. This works well, and apart from the aforementioned inability to perform spinbacks, they do the job.
And I’m happy to report that unlike the play/pause and cue buttons on that Hercules controller I reviewed all those years ago, the buttons here are sure and responsive.
There’s no auto gain on the software plus no gain knob on the controller, so that means that to get the levels right you may sometimes have to use the mouse.
Overall, the controller has limited buttons and functionality, but what it does it does OK. It’s not the most fun or the easiest to use for these reasons, but can you DJ on it? Yes.
The DJUCED software
In a break from tradition (tradition being “throw Virtual DJ LE in and be done with it”), this controller comes with a fully functioning version of its software, DJUCED.
Firstly, it’s good that the software works fully. Often you get LE software that means you have to pay more to get all the functions. Beginners often don’t understand enough to know what they’re actually buying, and equally, they tend to expect what’s in the box to work properly without more financial outlay.
This software does work fully, the only caveat being that the controller needs to be plugged in, and that the software only works with the controller you buy it with. Seems a better arrangement to me.
So what’s it like, quality wise? Well, the “big three” – Traktor, Serato and Virtual DJ – have spend considerable time and money getting their products to the mature states they’re at now. DJ software is daunting stuff to get right, and is far more important than hardware when it comes to what you can and can’t do as a DJ. The fact that DJUCED is even anywhere near these guys (which it is) is praise enough.
It has nice touches: the visual waveform beatmatching system is intuitive (two little triangles under each waveform that show how well lined up the decks is are with the other deck, plus a coloured background that snaps in when the decks are in sync); there are concentric circles around the decks to show each minute of the song, with markers for cue points and looped sections; the on-screen VUs show track gain, not master gain, which is better for setting your levels when DJing; the search function is instant, and works well; and as well as reasonable hot cue and looping features, there’s a sampler / sequencer too.
Sampler and sequencer? Yup, there’s a simple four-bar sequencer that lets you piece together up to four elements (there are four sample slots) per deck. It comes loaded with a (completely inappropriate) rock drum kit, but you can easily enough grab loops from your music and load them in. It would be good for quick vocal snatches, sampling rhythm patterns etc, and is a good place to start learning about sequencing.
The sampler itself is simple, but can handle one-shot and loops. Each sample deck / sequencer section is tied to a software deck, so the crossfader turns both off at once as you mix out of a track into another.
The effects are basic, and quite weak: The hi and lo-pass filters seemed to be either “on” or “very on”, and I couldn’t get any time adjustment on the echo, for instance, but you get the basics for splattering a little extra something into your mixes.
It’s good that the software works fully. Often you get LE software that means you have to pay to get all the functions.
There are other anomolies. For instance, it’s not possible to hear the track while moving quickly through it, which is weird. Another? The manual pitches (those little paddles) repeat like a key on your keyboard: You hold it, it moves one step, waits a second, then repeats rapidly. This felt bizarre in use.
Overall, though, the software is a decent stab, and it’s certainly possible to perform all the basic DJ techniques on it. There’s also plenty here to keep you amused when you want to try more ambitious stuff, although as you get better you’ll feel its limitations. It’s not up there with the big boys, but you won’t be made to pay again, and it won’t stop working fully after a month.
Want something you can learn about DJing on, for the lowest price possible? This will do the job. It has an acceptable soundcard built in, it has full software, and it has all the controls you need to learn the basics. Add a pair of cheap powered speakers and some budget headphones and you’ve got all you need.
For me, there’s an acid test: Our How To Digital DJ Fast video course teaches you all the necessary skills so you can DJ in public, from scratch, in a month. Could you complete that course and play your first gig using this controller? Yes.
Once you’ve got to that point? The fact that the software is non-standard, and that some of the controls here are very basic (or just missing entirely) means that you’d quite quickly want a better controller, so at that point you’ll be looking at a new software solution too.
And yes, it would be slightly easier to learn to DJ on more expensive gear. But I learned to DJ on cheap belt drive turntables and a mixer that didn’t even have a crossfader.
I was talking to a scratch DJ the other day who told me he learned to do DMC-standard scratch routines on two turntables ripped from 1970s music centres.
I keep coming back to this, but the truth is that DJing is not the gear, it’s the music. It’s not the software, it’s the guy controlling it. You could produce perfectly fine DJ mixes, and even play parties and bar gigs quite happily, using the DJ Control Instinct. And if you then decided DJing wasn’t for you? Well, you’ve really not lost much finding out, have you?
- Great value for money
- Small, light, does the basics
- Built-in sound card (rare at this price point)
- Full version of software included – no extra cost
We don’t like:
- Non-standard software
- Some key controls missing
Ease of use:
What do you think?
Do you like the look of the DJ Control Instinct? Have you got one? What do you think of the DJUCED software? Please share your thoughts in the comments.
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