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  • in reply to: Question about stopping the music at a gig. #39325
    elmgroove
    Member

    Think of a DJing like driving down the highway.

    You’re gonna be playing music pretty consistently for most of the night (cruising at a pretty steady pace). You may speed up or slow down depending on traffic, construction, or “mood of the crowd.” But shit, sometimes things come up and you gotta stop completely, especially if there’s a huge 18-wheeler lying perpendicular across the highway.

    I’m not sure if that was helpful or not, but once I started with the metaphor I just kept going with it haha.

    in reply to: Some audio cable questions #37850
    elmgroove
    Member

    So using the following image as an example: http://i.imgur.com/exiXc1y.jpg

    I could plug the TRS cables in the inputs in red or use the RCAs (in green)? Could regular, ol’ TS cables be used here as well?

    in reply to: Some audio cable questions #37848
    elmgroove
    Member

    Alright yeah, I guess my concern was how to know whether the mixer I’m plugging my controller into is designed for balanced or unbalanced inputs, and whether it’s just simpler to use balanced cables either way.

    in reply to: Tempo Change while Keylocked #37654
    elmgroove
    Member

    Thanks for for the tips, guys.

    @henley thanks for pointing out that setting; I’ll definitely be trying that out later today.

    in reply to: Mixing Tactics #37307
    elmgroove
    Member

    If you’re dropping in a slower RnB track in the middle of a faster paced set, I wouldn’t attempt to do any crazy mixing. I feel that’s an instance where it’s best to let the track breathe. Then bring the next track in once the RnB song starts fading out – but again, gotta let it breeeeathe and don’t try to mix the two songs too much. My 2 cents…

    in reply to: Library size? #37282
    elmgroove
    Member

    For a Dance DJ, considering the average set ranges from 1 – 3 hours, I think you can get away with ~300 tracks when starting out. Just make sure they’re all tracks you really enjoy and know them like the back of your hand.

    in reply to: Settings #37061
    elmgroove
    Member

    Just to reiterate what rjwhite41 said, start using your volume faders for these kinds of transitions. You have a LOT more control this way.

    IMO, the crossfader should only be used for cutting/scratching and maybe hard-cut transitions.

    elmgroove
    Member

    If all else fails, just go the hard-cut route! As long as they’re relatively close, it’ll sound good.

    elmgroove
    Member

    Are you talking about like 1970s disco kinda music? I don’t think I’ve heard this one before. But I’d venture to guess these people says it’s harder because if they’re using a controller, they’re probably the ones completely reliant on the SYNC button. Disco was/is usually played by human musicians, so there’s the fact that the beats aren’t going to be running at an exact BPM the whole song. So when blending the records, the DJ needs to know how to manually nudge the turntable a bit to keep the two records in sync.

    But of course, this is all completely feasible on a controller, it’s just whether you make an effort to use this technique.

    in reply to: Post a pic of your set-up! #36221
    elmgroove
    Member

    @Rocky I’m a fan of the weights to angle your monitors ..got the same thing going on for my setup haha!

    in reply to: Save Cue Points – Traktor Pro 2.6 #36194
    elmgroove
    Member

    Are you deleting tracks from Traktor’s collection? In my experience, once you import a song into Traktor and set up cue points (using 1, 2, 3, 4, etc) they’ll remain there every time you reopen the song, unless you delete them from the collection. And of course, this doesn’t apply with the cue button/floating cue.

    in reply to: S4 vs DDJ SX #36071
    elmgroove
    Member

    Word – so it sound like Serato is more your bread and butter, and the DDJ SX is supposed to pair very nicely with that. So it looks like that may be your best bet.

    I’m still waiting on my S2/Traktor to arrive, so any advice I’m giving is just based off of research lol. But I’m curious to know, in your opinion, what makes one software package better for a certain genre than the other? Like you said, Traktor being better for techno, Serato better for hip-hop. I know you’re not the first I’ve heard that from …but I’d just like to know maybe the technical details of why people think that.

    in reply to: S4 vs DDJ SX #36046
    elmgroove
    Member

    How long have you been using Traktor? I realize all DJ software pretty much does the same thing. But I feel once you’re used to a software system and have become comfortable with it, why change? It’s only going to mean extra time to adjust. Plus, you’d have spent money on now two professional-grade DJ packages. Have you looked at other controllers more geared towards Traktor?

    in reply to: Pioneer CDJ Setup Vs. Traktor Kontrol S4 #36044
    elmgroove
    Member

    I’m new this whole digital DJing myself. Considering you’re already making money from your DJing, you’re more advanced than I am! But from what I’ve researched so far: all these new controller/software packages coming out are just as capable, if not MORE capable, than a CDJ setup. When you’re buying the CDJs, you’re buying the professional look and, judging by the price, a much more durable product. But I believe that’s it. Anyone else, please correct me if I’m wrong, though.

    in reply to: To you Traktor S2 owners who perform live… #35853
    elmgroove
    Member

    Thanks for the input. I ended up picking up this little guy:

    http://www.amazon.com/Behringer-502-XENYX502-5-Channel-Mixer/dp/B000J5UEGQ/ref=sr_1_3?ie=UTF8&qid=1359393967&sr=8-3

    …just for a little peace of mind.

Viewing 15 posts - 1 through 15 (of 15 total)