Forum Replies Created

Viewing 15 posts - 76 through 90 (of 112 total)
  • Author
    Posts
  • in reply to: identifiying music genres #2240241
    Ronnie EmJay
    Participant

    And FYI beat port labels genres wrong quite a lot.

    in reply to: identifiying music genres #2240231
    Ronnie EmJay
    Participant

    As examples listen to songs by Dusky and Hot Since 82 this is the typical UK deep house sound. The more commercially accessible sound is by MK, Robin Schulz, Second City, Gorgon City etc.

    Tech house, look at songs by Nic Fanciulli, Jay Lumen for example.

    Techno look for Nicole Moudaber, Adam Beyer.

    in reply to: identifiying music genres #2240221
    Ronnie EmJay
    Participant

    EDM is a label given by americans to identify the commercial big room sound eg. Hardwell, David Guetta, Steve Aoki etc.

    Technically it stands for Electronic Dance Music but tell any tech house dj or deep house dj that they are playing EDM and many will take offence.

    I don’t have much time now but this big room electro/commercial/EDM is usually 128bpm and contaims a few drops abd many have Pryda snares.. deep house can be anywhere from 110-128bpm but you can tell by the sounds use. Tech house has a more distinct drum pattern style and faster than deep house. Techno is much more repetitive but can sound harder and be faster than these 2.

    Here in Spain Techno seems popular with those taking MDMA… commercial places (Edm, top 40 etc) you see people taking cocaine. No, I don’t take drugs, these are just my own observations.

    in reply to: switching from mobile #2235971
    Ronnie EmJay
    Participant

    In previous jobs yes, but here they won’t even consider you if you do this… it’s very unprofessional here and why I’m leaving in a couple months.

    in reply to: Xone:k2 + mac connecting problem #2235881
    Ronnie EmJay
    Participant

    Is there any reason you need to have 2 audio interfaces? I’m curious as to what you are trying t do.
    I’m guessing you are connecting into 4 channels on the main house mixer, though I can’t imagine what you are doing with that setup 🙂

    I’ve considered getting another K1 and using X-Link.. it seems more efficient and frees up a USB slot, but I like to mix internally and use 1 layer on the K2 as volume/EQ/loops controls etc.

    If stems can be used with K2 I may consider upgrading my OS so I can update my Traktor to the latest 🙂

    • This reply was modified 8 years, 9 months ago by Ronnie EmJay.
    in reply to: switching from mobile #2235871
    Ronnie EmJay
    Participant

    Sadly, Spain works very differently… so you learn to work with people who over time you find are honourable and trustworthy and pay you the fee they told you prior to the gig… at least eventually (some of them wait for the club to pay them first and then you).

    The promoters who didnt pay, I warn people about… play once and if they don’t pay you, don’t ever play for them again. 2 of them don’t get anyone, 2 of the others now have a Spanish duo they pay 30 euros (total) per night to play.. the pay is so shitty but as they are doing it for for fun and not to pay rent…. I guess they don’t mind spending half their fee on cabs.
    Too many of the (foreign) DJs they booked (without tryouts or listening to their music, essentially because they knew lots of people) never got paid and never worked with them again.

    The other problem with these guys is that they ask for one type of music (usually whichever one you say you like to play) and you turn up and it’s all “play Spanish commercial/Top 40/EDM/Pachanga” which essentially means play the same restrictive playlist as this club usually has everyday which is quite boring to do for only 30 euros and 2 free drinks 😀

    I’m pretty sure all promoters siphon off money from DJ fees here as no one ever gets to deal with the clubs directly, and having promoted a few club nights directly with clubs/owners, I know the figures involved… they can easily pay more. When I’ve dealt with bars directly I’ve made much much more than the biggest clubs with 1000s in capacity (which is also always oversubscribed and there is no space to move or dance – but that is for another topic another day, suffice to say, they prefer it packed like sardines).

    in reply to: Opportunities for a Song Writer #2235851
    Ronnie EmJay
    Participant

    EDM lyrics are hardly intricate 😛
    Maybe you would be better off writing pop songs and rap songs? These are more lyric based and there are lots of songwriters about. 1 hit can make you. Pop singers are more likely to sing other’s written vocals than rappers, but that’s a credibility issue, we all know Dr Dre didn’t write his own lyrics on The Chronic butdoes anyone care anymore ? I think not.

    And DJ Vintage, my Dutch friends told me pretty much all popular non-Dutch songs get their own Dutch language version… I lived with a Flemish guy who would play Party Squad a lot…I saw some Dutch rap act in Amsterdam a while back, but sadly I only know a few words in Dutch, back then almost nothing… The DJ of the night, Flexican, seems to have gotten more fame since then though.

    • This reply was modified 8 years, 9 months ago by Ronnie EmJay.
    in reply to: Going into the red – why do DJs do it ? #2235821
    Ronnie EmJay
    Participant

    Fair enough. I guess I’m used to London clubs which seem to handle this better, many times having the actual dance floor underground, which I kinda miss in Spain. I’ve only been to 1 place where 1 of the dance floors is underground.

    The outdoor clubs have obvious noise leakage and there are always people in the crowd asking for the volume to be turned up, but depending where it is, usually there is some kind of limit, or it can be a public nuisance and shut down.

    I guess the flipside for people with a lack of money is that you can be just outside the venue with your own drinks and still hear the music, but of course these are usually commercial venues and people who go there are more into being seen, VIP etc rather than there for the music 😛

    • This reply was modified 8 years, 9 months ago by Ronnie EmJay.
    • This reply was modified 8 years, 9 months ago by Ronnie EmJay.
    in reply to: Going into the red – why do DJs do it ? #2234821
    Ronnie EmJay
    Participant

    Ah I played in one club that had a volume limiter… this was completely different. Legally they could only go to 85db because there were people living in flats above (typical Spanish construction here!) so the more people there were in the place just talking, the lower the music would go and no one could hear it… it was ridiculous. I didn’t play in that place again. Another club had a similar story and they kept the speakers in one part of the club switched off because the neighbours above would complain! I don’t know why they don’t invest in soundproofing here….

    in reply to: Going into the red – why do DJs do it ? #2234791
    Ronnie EmJay
    Participant

    I learned on vinyl and on student radio, the first thing was always to set levels correctly, and also so both sources have the same volume – software does it with autogain, so people forget, but I’d think for CDJ users this should still apply? I would always first go to the “meat” of the new song and make sure it matched volume with what was playing live already by setting the gain after looking at the VU meters, then cue it up.

    • This reply was modified 8 years, 9 months ago by Ronnie EmJay.
    in reply to: Going into the red – why do DJs do it ? #2234541
    Ronnie EmJay
    Participant

    D-Jam, you’re correct on that big room experience… many here don’t seem to have a concept of warming up or down or recylcing crowds… Many nights will have a DJ every hour – in the false belief that each bring people – the problem being they all think they are EDM stars and play the same boring playlist with perhaps slight variations. The other year all of them were playing Animals and Tsunami but the Spanish crowd seem to like it, maybe I’m the one who’s wrong in not playing songs already played by someone else.

    in reply to: Going into the red – why do DJs do it ? #2234531
    Ronnie EmJay
    Participant

    You could say that, I couldn’t possibly comment 😛

    Seriously I see the better ones who know what they are doing trying to leave Spain and move to other countries to get away from the same EDM/pachanga playlist. Some of the clubs here are playing almost the same songs as when I first got here 4 years ago!

    in reply to: Xone:k2 + mac connecting problem #2234521
    Ronnie EmJay
    Participant

    I have the same Mac except I’m on Snow Leopard.
    I only have 1 K2 but from what I remember when reading the manual you can connect 1 K2 to the other with a network cable that came in the box with it. Have them both on different channels. It should also only be able to use one of the soundcard in 1 of them, the other should be disabled. Remember to connect the K2s first and then start Traktor too.

    That’s the best advice I can give, as I have never tried this setup and have only 1 K2.

    Good luck!

    in reply to: Going into the red – why do DJs do it ? #2234061
    Ronnie EmJay
    Participant

    Yep I stick to what I know… luckily the crowd adjusts….
    but it’s also part of the reason why I like to start off a night and build things up… plus I can play how and what I like 🙂

    Ronnie EmJay
    Participant

    Great news! Don’t worry about mistakes, it’s about how you recover from blown spots than freezing… as most drunk people will have forgotten it a few minutes later as they enjoy your selection 🙂

    People who have many years of DJing experience still make errors, so it sounds like you did really well. Good luck!

Viewing 15 posts - 76 through 90 (of 112 total)