Xhris Vile
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Xhris VileMember
I see where you’re coming from, but it seems a bit of a weird argument to make on a website and a forum where a big part of its goal is to help newbs learn how to DJ. I’d say that someone coming here and asking something basic (how do I beatmatch etc) isn’t much different than someone asking a DJ at a local club, taking a class, or buying a “how do I DJ” book in the pre-internet days. In fact, I’d bet money that most DJ’s just starting out in those days would have jumped at a chance to have something like this website to help them learn faster. I have a very hard time believing that anyone, then or now, is going to say “no I’d rather have less information and make this harder on myself”… the bottom line is, even once you have an answer to your question (stupid or not), you still have to put in the time to practice and get better, which is what I’d say is the most important part of the process.
I can say, as someone who is pretty new to this, that being able to browse these forums and read the answers to those questions has really been a big help, and I have learned a lot faster. An instruction manual is great, but most do tell you how to incorp. the features into a set, or even how/what basic mixing is.
IDK, I’m just one of those people that feel that getting fast access and information to as many people as possible is a good thing. The quicker they learn the basics, the quicker they can move on and try getting creative with it.Xhris VileMemberThanks for all the great advice, looking forward to working this stuff into my usual practice routine.
Xhris VileMemberI’d say I buy anywhere from 10-15 a week, but I am thinking of cutting that back to 0-10 (thanks Phil!). i have been doing this for about 6 months, and now that I getting a better handle on the basics, I am realizing just how important it is to really know you tracks. It’s becoming more important to me which songs I’m playing, and how they fit into the set as a whole. The more tracks I have, the more overwhelming it becomes to get to know them all.
For example, I’ve noticed that out of the 50 or so trance tracks I’ve bought to practice with, I keep going back to 15-20 of them that I really like. The rest I can give or take, but I don’t know them well enough to really decide. Now I’m being much more discerning and only buying stuff that I have listening to multiple times and KNOW fits my style and taste. My library of songs continues to grow, but by spending more time really learning the tracks, I’m way more likely to use them in a set, instead of wasting money on a tracks that will gather dust in iTunes.Xhris VileMemberThanks guys. Yeah, the question came after I told a friend I was learning to DJ. He brought up some bands from our noth school days, like Incubus, and how they factored into the bands sound. Of done right it seems like a good DJ with the right digital gear could probably open up a lot possibilities musically for a band. Anyway thought it was interesting, especially since you don’t see many bands that use them after the “fad” died out on the early 2000’s
Xhris VileMembersdjm, post: 19750, member: 1969 wrote: Tracklist?
1. Bris (original mix) – Speed Limits
2. Champagne Room (Original Mix)-Tyas, Colontonio
3. The Fusion- Omnia, Ira
4. Shotgun (Original Mix)– W&W
5. Apex (Original Mix)– Ben Gold, Tritonal
6. Insert Generic Title- Daniel Kandi Vs. Denis Pederson Remix
7. Attractive Force (Original Mix)– Alexander Popov
8.Seize the day (original Mix)- ReOrder, Stine Grove
9. Invasion – ASOT 550 Anthem (Radio Edit)– W&W
10. Attractive force (again)
11. Under the influence Mix 2- Chemical BrothersXhris VileMemberI have actually found a few really good unsigned artists via YouTube who have let me download their tracks and remixes. Usually ill go on youtube and type in a song hen add “remix” or maybe “chopped and screwed” and see what pops up. Most of it isnt very good but there’s always a few interesting gems from talented people if you dig enough. I wouldn’t use it as an end all be all but it has the potential to yeild some unique stuff IMHO.
Xhris VileMemberWow! Thanks for all the great suggestions. I knew oh all would be able to point me in the right direction.
Xhris VileMemberThanks for the tip. I checked them out and I definatly will be very helpful!
Xhris VileMemberYour story is very inspiring. I’m 27 and just learning. Was wondering if “OLDER” djs have a harder time getting gigs. Are clubs and such looking for younger people who “look” like a DJ? Any stories? Maybe this should be another thread. sorry I’m a reporter by trade and can’t open my mouth without asking at least 7 questions.
Xhris VileMemberThanks!
Xhris VileMemberI didn’t even know what Nocturnal was till you mentioned in in this thread. Looks cool, but thing I’m working that weekend (bummer). Anyway, you seems to know what’s cool around here. let me know if you hear of any cool shows (or if you’re playing anywhere). I recently moved here fro Santa Fe NM., and am missing the cool scene they had there.
Xhris VileMemberHahaha sounds awesome! Yeah. I moved here a few months ago and there not much going on. I’m guessing you have to go to Austin if you want to find a good electronic music scene.
Xhris VileMemberCool man I’m right nextdoor on Killeen!
Xhris VileMemberThis is comming from a total newbie mind you. But why would having more “hobbyists” be a problem? I would guess that a lot of really good musicians started learning their instruments as a hobby, formed bands as a hobby and used whatever equipment they could get their hands on. Often so-called hobbyists are doing something for fun, which may lead then to be more open to expieriment and discover new, creative and innovative areas for their hobby. Cutting them out is a negative both for amature talent, and pro DJs looking for new ways to push their craft onto new territory.
Xhris VileMemberhere’s the link to it on PLAY.FM, really like the site. Easy to set up and download
http://www.play.fm/recording/latenightknifepartyremix80145 -
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