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  • in reply to: New guy with old sounds #1016366

    I can understand your concerns. If you play a really specific genre as a DJ, there are sometimes not that much people in to that music. In your area. But across the world there are lots of people who like that specific genre. So can use the internet to connect to those people. So I would say the same thing to you as Phil said to that 52 year old DJ on the blog. Use the internet to gather followers. You can post mixes on the internet, do a live stream once week. Things like that.

    But you should also think about what you want to accomplish as DJ. What are your goals? Do you want to play at parties, weddings or maybe throw your own parties. Do a little research. Are there radio stations in your area that play the music you like. Maybe you can approach them. And if you want to know what students are in? Also use the internet. It depends on where you live.

    Think in possibilities, not in impossibilities. Good Luck with it all 😀

    in reply to: Reggae & dub mixes? #1016353

    nice! I’ll give it a listen

    in reply to: Numark mixtrack pro 2 [First party] #1016347

    Yes of course you can use your Mixtrack Pro. Don’t worry about the other DJ’s; this is your gear and you are going to rock with that. And remember your are playing for the audience, not for the other DJ’s. So I wouldn’t worry about that. Besides you can make awesome mixes with the Mixtrack. Its a very good controller.

    If the location you are going to play has a PA ( soundsystem ) you probably going to need rca to XLR or rca to TRS cable. The rca for your Mixtrack and the TRS or XLR for the PA. But best thing is to check this in advance. You don’t want to get there to find out you don’t have the right cables.

    in reply to: "Dancing behind the DJ booth makes you a wack DJ" #1016344

    Ignore them. Beside it being not true what they say, I also think it’s rude and arrogant. You know D Jam has got a point. Back in the days if you had records and two 1200’s + a mixer you were “the man”. back then DJíng was not that accessible as it is now. It was really expensive. It is easier now to start DJ’ing. But that is good. Let people enjoy it.

    Using a crossfader, dancing. Too bad, so many Digital DJ’s get that much hate. Well, this old vinyl DJ thinks the new generation is doing an awesome job. With your loop rolls, FX, mash ups, slicer, sample decks, finger drumming. It challenges me to try and learn new things.

    I think it also depends on the music you play. I never really looked into DJ pools. I always thought that was more for top 40 and hiphop and r&b. I play deephouse, house and techhouse. And I really like Beatport for that. I think beatport and traxsource have so much more choice in those genres. But I could be wrong.

    Maybe someone knows a good DJ pool for deep and tech.

    If you can find the music you like on DJ pools then I would say go for it. I understand that you like searching for music. I do too. But is not some “way of the DJ” that you have to do that.  Back in the day I took the train to Arnhem ( a city in The Netherlands ) once every week 30 km from where I live. Then I would visit the 3 record shops there. That was great. But expensive. Now I’m buying music from the same chair I am sitting in now. That is also great, but different, and cheaper. And there is nothing wrong with saving money.You can always invest that in more money or DJ gear. Or groceries 😀

    in reply to: Traktor Pro 2 Autogain #1016120

    “So technically if i have autogain on in prefs, once ive loaded a song, the 2nd, 3rd tracks etc should all be matched “volume-wise” yes? I shouldnt have to touch the individual track gains on the S2?”

    (Sorry I don’t know how to use a quote 😀 )

    That’s right. But I find Traktor autogain highly unreliable, for the very same reasons you mentioned. So that is why I set the gains myself. But I started DJ ing with vinyl. So I am kinda used to it. I really think the best method is to use a combination of your ears and the vu meters, which your S2 has.

    in reply to: Traktor recorded moves? #1015968

    hmm, never heard of that. But I can understand why that might be useful. I think the best place to look is youtube. You have the pioneer DJ sounds show. They have mixes of DJ with the camera above the decks. So you can hear the mix and see what they are doing. I like to watch that for learning purposes. But as you can guess that is with cdj’s But they do have fan submissions with controllers, like this one ………  http://www.youtube.com/watch?v=MZ4BGCONLzk&list=PLKoE0JQp0zBc5j5LHIFzcYj6vhuxmP3HX&index=3

    I would look for this kind of video’s. But I am not sure of this what you meant.

    in reply to: Traktor Pro 2 Autogain #1015963

    That is the auto gain. Autogain does not mean that every track db is the same on your screen. It means that Traktor adjust the volume (the dB) of each track, so that they are all at the same level.

    For instance the first track you play traktor sets the gain at – 0.5 If the second track is louder then the first track Trakor sets the gain on that track at let’s say -1.0 so it’s matches the volume of the first track. So the reason the gain settings seems random is because lots of different tracks have lots of different volumes.

    If you want your mix too be not too loud, the best thing too do is to turn down the main volume. So your recording is not too loud. From there on you can turn up the volume of the complete mix. You can do this in audacity or with MP3 gain programs. But I think you can learn all those things in the upcoming mixtape pro formula course. Best thing to do is to not record too loud. because once it is distorted it is nearly impossible to fix.

    I also would encourage you to learn to manually set the gain of each track. You don’t have to learn it right away. But I think it is good to have that skill. It is not really hard to learn but it let’s you listen closely to your music. And if you one day play on set up without Traktor ( CDJ’s maybe ) you know what to do.

    in reply to: Anyone Have Mixes Removed from S0undcl0ud #1015934

    Yes that happened to me to. Because soundcloud can scan the waveform for copyrighted material. I have been told that this is only for the first track ( but I’m not 100% sure of that ) and that an intro might solve this. Because it makes the waveform different. I don’t think that going pro is a guarantee that it will never happen again. If the artist or record company have a complaint than soundcloud will remove that mix. Even if you have have purchase that track legit. And even if use a tracklist. It also doesn’t matter how long you play that track and if you don’t charge money for your mix.

    If you don’t want this to happen then you could use mixcloud. Because there you are obligated to use a tracklist and the artists of the tracks used in that mix will receive royalties for the usage of their tracks. mixcloud also has a lot of traffic, meaning lots of people visit that website. There are also other sites like mixcloud but I don’t know them out the top of my head. But someone else here knows them for sure.

    Oh the reason your new mix is still online is because you didn’t use that track any more.

    But I like soundcloud a lot. For the same reasons as you. My mixes get more traffic on soundcloud. And I like the look and feel of soundcloud. So this is something that happens when using soundcloud. You are not the only one who has a mix taken down.

    Good mix! really liked it. Good mixing, great tunes.

    If this music is what the new club is looking for then I think you at least have a good change. I think promoters are looking for good mixing, good track selection, all the usual stuff. And someone who can deliver while playing live. Since you have never done that, that might be a disadvantage. But you have the mix to back up your words!

    Playing a gig over a PA ( or loud sound system ) is very different then playing at home. The music is louder ( obviously ) and the feel is really different. But this is a matter of getting used to it. It is not impossible, not at all. It get some time to get used to the PA and the monitors. I compare it sometimes to painting, say you draw a picture at a A4 paper, no do that same picture on a big wall. That is mixing in a club for ya!

    If you are eager, you like to DJ. Then go for it.

    in reply to: Music Site Arranged by Tonal Key #1015825

    Don’t know a site like that.

    But don’t you think you limit yourself in finding new tunes? If you start looking for tracks in let’s say A minor on a website that only shows you the tracks in A minor then you will potentially miss a lot of tracks that you might really like. But they are not in Aminor. Mixing in key can be really great but my advice would be to not only select tracks on key. Tracks that are not in key can be mixed. I think the best way is to select tracks that you really like and that are in the genre you are looking for.

    But that is just my advice. Or just use Beatport or Traxsource to select tracks you like and then check for the key they are in. You can make the selection in your hold bin or shopping cart then.

    in reply to: Marathon Gig with a potential 45K audience #1015773

    I’m strictly a house DJ. So I always do admired DJ’s who are that all-round. I think Chuck has some good points. If I had a gig like that I think I wouldn’t know where to begin. So the only thing I can do is to wish you good luck and lots of fun.

    in reply to: It's a mix #1015768

    Thanks for the feedback. It is always nice to know people like your mixes. And mixing don’t always comes effortless to me. I remember one time I almost threw my turntable out of the window out of frustration 😀

    in reply to: Buying new DJ Controller #1015530

    I don’t have any personal experience with either one of those. But I think I would go for the S4. The fact that Xone DX is discontinued and second hand would be the reason for that. If you buy your controller new you have warranty …. and is new. I mean, do you know how heavy the Xone DX was used? That is also something to consider. Is it used in a bedroom or in club? Did it travel a lot from one gig to another? How many different people have used it?

    So my advice would be to buy a new controller if your budget allows it. But like I said that is just based on the Xone DX being second hand.

    in reply to: trouble with the kicks #1015416

    I think maybe you also trying to do it to perfect. When mixing 2 tracks sometimes it’s better to wait a few seconds before you try to nudge the tracks. Let them drift apart just a little bit longer. This way it is easier to hear if you need to speed up or slow down. At least this is something I struggle with sometimes.

    Example. tracks start to drift a little bit ( just as in your mix at 15 min ) wait, let them drift. Ok now you hear you need to speed it up. Nudge the track faster. Now there in sync. go back to the mix ( eq, faders ) till it drifts again. You know now it needs to go faster. So nudge it up again. I don’t know if that makes sense, but this is how I do it. Otherwise I tend to nudge faster, slower, faster. You get the idea. But that is the beautiful thing of mixing. Everybody has there own little techniques and tricks.

    And be patient as mentioned above. Watch other mixes. I really like the pioneer sounds show. It’s got the camera above the decks so you can see what the DJ is doing. I really like this one. http://www.youtube.com/watch?v=mDtsqgJhAds

    It’s DJ Sneak, one of my heroes. Watch the first transition at 13:45 it is not perfect but he takes his time. He is using the pitch for adjustment. But this is not always so easy on some controllers ( like my reloop mixage with it’s short pitch faders ) But you can also do it with the jogs.

    Keep practising and you will improve yourself.

Viewing 15 posts - 46 through 60 (of 76 total)