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Viewing 15 posts - 46 through 60 (of 103 total)
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  • in reply to: Should I Get A Midi Fighter? #31616
    Maximlee
    Blocked

    highly recommend checking out his youtube page. So many tips and tricks… djs even digital djs are so locked into the fact that i must mix here and do this and do that….. what im beginning to learn is you simply gotta have stuff like the midi fighter to express yourself with and find ure own unique sound.

    in reply to: Making A Podcast #31615
    Maximlee
    Blocked

    lite account is $29 a year.. you get double the upload space … plus you get to see some stats of were and who listens and downloads podcasts etc. Free account is cool but as im doing a podcast series myself i want to have a few up there and not have to be deleting them all the time to make space for more mixes

    start of with free acount… and go from there

    happy mixing

    in reply to: Should I Get A Midi Fighter? #31611
    Maximlee
    Blocked

    [media=youtube]m8eB83axVvw[/media]

    in reply to: Should I Get A Midi Fighter? #31610
    Maximlee
    Blocked

    It working with everything and anything… check out techtools videos from the creator. its a solid item and the price reflects the build and quality.

    [media=youtube]vPH4DVSRKjs[/media]

    in reply to: Journeys Through Trance #325 08.11.12 #31609
    Maximlee
    Blocked

    its mad how trance has changed…. just way they have a pumping groove going and just drop to a piano riff…. all energy is gone.

    You sound just like armin van buuren… and if that what you looking for then your there… but you aint ever going to take his crown unless you have your own personal stamp

    in reply to: Any Ableton Producers? #31608
    Maximlee
    Blocked

    DJ Connibis, post: 31729, member: 3937 wrote: I was wondering if there is anyone else that produces with Ableton. I am looking for some guidance and advice on how to remix songs. Such as using only vocals from a song, or from getting segments and basslines from certain songs for remixing.

    Ableton is not some magic wand were you can take the vocal out of a song…. i know that if you have original and instrumental you can reverse the phase or something and get the vocal clean. you cant just take elements out of tunes clean… the best you going to be able to do is do a bootleg version.. with out the stems.

    There are some things you can do like sample drums and bassline from intro of track or vocals from a breakdown.

    Id recommend looking for remix comps… alot are done on beatport etc… were you get stems. In summary.. you need original loops and samples to do a decent remix.

    Best of luck

    in reply to: Making A Podcast #31607
    Maximlee
    Blocked

    djdoinbad, post: 31751, member: 182 wrote: Ive wanted to make a podcast for a while now so I can post my mixes for people to listen to and download. Currently im using mixcloud to post mixes but want to make a podcast so peolpe can automatilly get them when i post them, download to there ipod and jam out to my mixes! So if anyone can help out or share some links to artiles, FAQ pages about podcasting or anything that can help would be GREATLY APPRECIATED! Dj DoIn’ BaD

    [Twitter] @Djdoinbad
    [Facebook] https://www.facebook.com/DjDoinBadTheMixtapeAssassin
    [Mixcloud] http://www.mixcloud.com/Dj_DoIn_BaD_Mixtape_Assassin/
    [BBM] 2305CD0B

    get on soundcloud and get yourself a lite account… from that you can post mixes and get feedback and also make them available for download. With the lite account you get who were and when your mix was played or dloaded. Very good is my opinion for getting a podcast series going…. when you get a following then you can start think of using something more professional like itunes…were it can be seen by thousands.

    in reply to: Which software and controller? #31606
    Maximlee
    Blocked

    In my opinion you only need a four track controller if you are mixing techno… or want to have one or two of the remix decks droppping samples for builds etc. Personal i dont get why everyone is so mad about Serato… to me it look amatuerish compared to traktor… it feels cluttered and eqing and effects dont sound as good as traktor. This is coming from a person that has used traktor on and off from nearly the beginning….lol

    In the end its not about the software but how you use it to play records… expect a change in yout mixing thou when you change software… ther is alway a transition when using new software of any kind.

    As for hardware mixer vestax 380

    in reply to: dj top 100… what a joke.. #31604
    Maximlee
    Blocked

    D-Jam, post: 31725, member: 3 wrote: I wrote this August of 2011…it’s still relevant now…
    http://d-jam.com/twr6yLl

    Ohmygawd, it’s time for the DJ Mag Top 100 again?

    I first saw it mentioned on Facebook, then Twitter, then an email in my inbox, now on message boards. It’s that time of the year again. DJ Magazine is polling and gathering votes for their annual Top 100 DJs list, and I can already foresee the drama.

    This entry today is a bit of a rant, a rant not on the list or the results that usually occur, but of the rampant childish stupidity I see every year when it comes to this list. Let’s have a look at what’s been happening year after year.

    1. The polls start. Emails and social media postings go all over the place pushing everyone to vote for their favorite DJs. Some of the guys who usually make the Top 100 send out emails asking for support.
    2. Some “smaller names” that are popular in their local areas all start on heavy pushes in an attempt to just to make the Top 100. They put out loads of promotion still not “getting it” that just because they can pack a club in their town and played a few out-of-town gigs, they’re not up at the level of the guys who usually make the Top 100.
    3. We’re all annoyed to death with the constant annoyance of “vote for me!” from both big and small names. Like somehow we’re all just going to readily give out our email and personal information.
    4. The Top 100 comes out…and by no surprise it’s practically the same as it’s been for the last ten years. The same ten names all find their way into the top fifteen.
    5. Suddenly, the internet is awash in angst from loads of music nerds and snobs who endlessly complain for a week straight on how the list is so biased and always ends up with popular guys and trance DJs in most of the top twenty.
    6. Resident Advisor then comes up with their own Top DJ list comprised of many underground names most people (except for them) have never heard of. Even then, people still complain how their favorite guy didn’t make any list, but soooooo deserves to.

    Every year this happens. At what point are DJs and music enthusiasts going to write off all these “Top DJ Charts” as total bollocks? Remember TheDJList.com? Remember how many DJs were feverously working to get into the top 10 there? They posted banners, spammed people, annoyed others, played the system, etc. Did that get them gigs? Did they suddenly get booked to play Global Gathering, Ibiza, or the Ultra Music Fest? Did anyone in the industry really care?

    I don’t want to be the guy who crushes the dreams of local DJs who hope one day to be a big headliner like Armin Van Buuren, Carl Cox, Deadmau5, or Paul Van Dyk. However, I think one really needs to look at all the guys in the Top 100 and really ask themselves if they are truly “up there” with those men and women before they try to push to somehow get into the list. I mean, those guys are constantly traveling and playing in front of thousands. They are repeatedly booked for the biggest events and clubs on the planet. They run labels and release music all over the world. Some have regular shows on Satellite Radio.

    So how does some local who maybe plays in a club that holds 500-2000 people honestly believe he/she can compete with that? There are guys who travel and play to smaller numbers as well as release loads music who can’t even get into that list.

    Taking a step back

    Let’s step away from the idea of local guys trying to get into this list and more address why it seems the same people get into the list year after year, especially the big trance headliners. The reality is while many DJs can name a dozen guys they think are talented that never get into the Top 100, most of the people voting (in my opinion) are NOT DJs.

    They are clubbers and average people who perhaps aren’t as passionate about all this the way DJs and enthusiasts are. They might be the ones regularly hitting up the bottle service glam clubs and can’t remember who was playing, or they buy tickets to the big show when it’s packed with the popular headliners, because it’s guaranteed to be a wild party.

    They are not the types who know of some small-name hipster coming up with brilliant sounds in his bedroom and worshipped on the underground music boards. This is the harsh reality many have to accept before they get all steamed about the DJ Magazine Top 100. This is the same logic as to why I barely know any of the names that end up on Resident Advisor’s list. Only that niche mainly knows those names, and the DJ Magazine list is known by the larger numbers of folks who simply go out for those names.

    Why you should dismiss it all

    So the usual anger I see all over the internet (and will see soon on the internet again) is how the “truly talented guys” never get into the list while the Top 100 are just the “popular guys”. Um, yeah…that’s kind of what this list is all about. This isn’t about if Deadmau5 is possibly “more talented” than DJ Mazi or if David Guetta is possibly a “better DJ” than Kid Capri. This is about who’s popular. Who packs stadiums as opposed to clubs. Who gets written up in magazines and even gets mentions outside of the DJ world.

    To me, judge talent as you see it. If you really believe in someone, then post their name on social media and tell others to check this person out. Take your friends to their shows and see if they get into it. In the past that’s how this was done. The word was spread.

    Who cares if your favorite DJ didn’t get into a big popularity contest? Will he/she suddenly stop producing or DJing? Will they quit, go to their home, and cry?

    BIGGER QUESTION: Would you still love this person if they did get into the Top 100? Or the Top Ten?

    Look how many people immediately dismiss talented acts as “sellouts” the minute they see the office receptionist switch from Justin Bieber to the DJ you liked.

    So spare me, spare the scene, and spare everyone. You all know how the DJ Magazine Top 100 is going to turn out. Don’t act surprised and offended. Move on and stop thinking somehow these lists mean anything, or one day you’ll see a list made up only of people you like.

    Even “talent” is subjective. You can’t measure it. You simply like something or you don’t. Praise and support the people you like, and stop thinking they have to make the list in order to “be someone”.

    Ok youve hit it on the head… all the djs i like are underground… and in a way i like it like that…cau when i walk into a club were chris leibing is playing there is not going to be too many people, if any that dont know who he is….and if they dont they will probably walk out…. cau chris is at times scary….lol

    Since you say big up djs you like then the top four for me are Richie Hawtin, John digweed Sasha and Chris leibing…. seen seth troxler for the first time his year… well impressed.

    Idont think there will ever be djs like sasha and john digweed again….. they hold mixes for sooo long you start to question whether the elements you are listening to are from the last track or new one…. its simply breathtaking. Correct me if im wrong but there are not to many djs that have the love for the art of mixing like they do anymore???

    in reply to: Let's Get Physical! New Mix and Song #31490
    Maximlee
    Blocked

    Clawn, post: 31631, member: 2726 wrote: Recently just did this 2 hour mix of house/techno tunes. Was bored that day and also made this song. A bit weird but sure that’s what boredom does! Hope you enjoy and as ever all feedback appreciated

    http://www.mixcloud.com/Clawson90/lets-get-physical/
    http://soundcloud.com/clawn/1990-1

    the number one mistake is ure intro is away to long with nothing going on… you need something to grab on to from the first beat… i recommend the stab sound that comes in about 47 seconds… filtered in to create alitle drama and movement. Im far from a master and have along way to go myself but i have learnt abit check out intro to my tune for an example.

    https://burn-studios.com/profile/maximlee – one in a trillion tune or
    http://soundcloud.com/maximlee/maximlee-1006807

    you need to learn to have groove from the start of the record…and filter in and out elements…

    hope it was a help…

    in reply to: Loving on the Dancefloor #31488
    Maximlee
    Blocked

    Shuga*Foot, post: 28642, member: 2922 wrote: Here’s my latest mix done live on my S4

    http://www.mixcloud.com/shugafoot/loving-on-the-dancefloor/

    really enjoyied mix 🙂

    in reply to: Is the Odyssey Flight Case for MC3000/6000 good? #31483
    Maximlee
    Blocked

    Yeah highly get the case that is made for your controller as it was designed with it in mind. Its a good solid investment and definely worth the original outlay.

    in reply to: Creating a Following in a Foreign Country #31482
    Maximlee
    Blocked

    If in your heart you want to be a dj… im not say move straight away but consider moving somewere were you can dj what you want. theres nothing worst than djing music you dont like

    in reply to: Do DJs overuse effects and looping? #31417
    Maximlee
    Blocked

    B-H-Y, post: 31568, member: 4231 wrote: Hi Luckynumba7, I was interested to read how you’re using your effects. It seems you’re using them creatively and constructively. That’s the difference between you and the DJs I’m talking about. You know how, and when, to use effects. You’e not overusing them and using them in a way that enhances the music. Used sparingly and subtlety, then they’re a hugely effective part of a DJ’s armoury.

    Maximlee you’re right too. If using over-using effects and looping is what a DJ wants to do, that’s their choice. It just means they’ll neither get the bookings other DJs get, not enjoy longevity. I mean you might book them once, but wouldn’t rebook them.

    The difference between DJs on this forum and the DJs that made me start this thread, is that the DJs that caned effects and loops, hadn’t even mastered the basics. They were like kids in a sweet shop, playing with their effects, but didn’t understand what they were doing.

    As for Richie Hawtin, he’s one of the best DJs around. As you say, he’ll never play the same set twice. Even if you gave him the same tracks, he’d play them in a totally different. The same could be said of James Zabiela, whose taking technology and DJ-ing to another level. For anyone that’s interested, he’s made a documentary for the BBC about technology and DJ-ing. If anyone is interested, I’ll post the link.

    cool interview, its unbelievable how inside the equipment he is….. for me zabeila is very hit and miss… he gets carryied away sometimes and there is no flow to his sets. On a good day thou hes up there with the best. james zabiela – live on renainance is an epic mix

    in reply to: Top Djs #31415
    Maximlee
    Blocked

    Kent Sandvik, post: 31563, member: 3967 wrote: I guess crappy bars hire any DJ for free but then they go bust anyway due to such decisions.

    i knew this would be taken the wrong way….lol i didnt think that one the whole way throu. You have to want it so bad that you are willing to dj for free is a better way to put it then. There are simply thousands and thousands of djs out there…. you gotta think of new ways to approach the market and get heard. Putting on ure own night is actually worst than djing for free…its going to cost you money and alot of it.. but its definely the number one way to get out djing.

Viewing 15 posts - 46 through 60 (of 103 total)